Marcello Mercado
Transitory Artefacts:
A Journey through Time and Media
2000 -2025
Poly-Auto-Portraits 02
Poly-Auto-Portraits: Drifting Selves Between Scanners, Color, and Algorithms
Das Kapital 80, AI: The Political Economy of Algorithmic Moderation
Das Kapital, Version 78, DELETEORIUM
Das Kapital, Version 76, Algorithms, 2025
Formula Van Gogh
Run
Dead Code Anatomies
Self-Portrait in a State of Archive
The Neutrals
Das Kapital: Bell, Marx and the cycles of absorption, 2005
Variations Van Gogh, Installation
HOS-Bild: Warten als algorithmische Form: Das Bild als Versprechen
The Ulysses Syndrome in the Age of Artificial Intelligence
On the Production of Images and Sounds with AI
The Economy of Residues: Temporal Assemblages of Capital and Body
Gödel Suite, 2009
Gödel Devices and Epistemic Apparatuses
Images become containers; containers become images: A Performance in Seven Movements, 2005
DELETE
Bestiary for the Minds of the 21st Century: Genomic Opera
transferring, storing, sharing and hybriding: The perfect humus
Trace, Burn, Archive, 2005 – 2008
Index – Generator, Performance, 2004
Listening the chromosome 17, 1-channel Video Installation, 2023
Human Genome re-Activation – Low Lives 3 International Festival of Live Networked Performances, 2011
To whom belongs the Time?
How to explain to a dead mole the difference between…? Performance, 2001
Azimuth 77, Performance, 2006
Confinment, Artist´s book, 82 pages, 2020
Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies
The algorithm, 2024, Process art – New media art – AI
How leopards caught leopards
Burning Garden – 2024
Curves, compost, forecasts and closures, Performance, 2020
Materials / Energy, 2006
