Lines accumulate, repeat, break apart, and restart. These drawings do not derive from fixed compositions or recognizable forms; they emerge from physical gestures, interruptions, and unstable notation. Instead of representing external figures, each mark documents a process: recursions, failures, and shifting image systems.

Bodies appear only in fragments—as residues and dispersed anatomies without center or hierarchy. The work exists in tension between notation, archive, and image: a field where forms are continuously constructed, erased, and transformed.