Lines accumulate, repeat, break apart, and start over. These drawings emerge from gestures, interruptions, fragments, and unstable notations, not from fixed compositions or recognizable forms. Instead of representing external figures, the lines document processes, failures, recursions, and unstable image systems.

Bodies appear only partially, as residues, dispersed anatomies, and graphic fragments without a center or hierarchy. The drawings exist between notation, archive, and image—fields in which forms are constructed, erased, and transformed simultaneously.