Videoart
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SUMMA – Notations
SUMMA – Notations, 2012, HD single channel video, 4min 12sec, stereo, 16:9, black/white Compression, notation and the impossible archive of music At first sight, SUMMA – Notations appears deceptively simple. A white field, black marks, fragments of text, and the invocation of monumental works from the history of Western music—compositions…
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The chemical and physical perception in the eye of the cat, in the moment of the cut, 2005
https://archive.org/details/TheChemicalAndPhysicalPerceptionInTheEyeOfTheCatInTheMomentOf The chemical and physical perception in the eye of the cat, in the moment of the cut, 2005 electronic music, extreme noises, soundart, microsound, techno, noise, microsound, loop, industrial, game, experimental,
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How leopards caught leopards, 2014
marcellomercado · How leopards caught leopards How leopards caught leopards 20m 42″ 2014 Soundtrack for the videoart piece«How leopards caught leopards», 2004
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Sudafricanus generator serie1, 2004
marcellomercado · Sudafricanus generator serie1 Sudafricanus generator serie1 2004, South Africa Soundtrack from «Primordial Hunters» by Marcello Mercado, 2004
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VIDEO SELECTION
VIDEOART Video works — Selection The body of video works developed from the 1990s to the present is articulated not as a sequence of discrete pieces, but as an operational field in which moving images function as a system of inscription. Video does not appear here as a representational medium or a…
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Capital Part 1 – version 2015
Marcello Mercado Das Kapital Teil 1 – Version 2015 Marcello Mercado Das Kapital Teil 1– Capital Part 1, version 2015 1 channel video-sound installation, 15 min. 58″ stereo 4:3 black/white and colour http://vimeo.com/133179369 Das Kapital unfolds as a long-term investigation into how political-economic critique can be translated into images—how theory…
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Selected Video Works 1994 – 2011
Marcello Mercado – Selected Video Works 1994–2011 presents a selection of video works, video installations, and DNA-based installations produced between 1994 and 2011. The compilation traces an evolving artistic inquiry into the intersections of body, code, and media systems, where biological materials and electronic images…
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Das Kapital, Version 77, The Weight of the Weights
Marcello Mercado Das Kapital, Version 77: The Weight of the Weights An Archive in Transit 1- Channel Video Installation sound, color, 5 minutes 2025 Das Kapital, Version 77: The Weight of the Weights An Archive in Transit . In Das Kapital, Version 77: In The Weight of the…
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Bestiary for the Minds of the 21st Century: Genomic Opera, 2015
THE DIGITAL SYNESTHESIA GROUP The transdisciplinary DIGITAL SYNESTHESIA GROUP consists of project leaders Katharina Gsöllpointner (media theoretician), Ruth Schnell (artist), Romana Schuler (art historian) and artists Jeffrey Shaw and Peter Weibel. During the research process invited artists and scientists will participate as special guests in the context of certain topics and/or project phases.…
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DELETE
Marcello Mercado DELETE Interactive Video Installation . In DELETE, language ceases to be a transparent medium for communication and becomes both subject and residue. Conceived in 2012 as an interactive video installation, the project reflects on the impossibility of truly erasing information within digital and mental architectures. Instead, it proposes the invention of…
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To whom belongs the Time?
Marcello Mercado To whom belongs the Time? stereo, black/white Running time: 1h 03 minutes, 2020 This videoinstallation explores the notion of time as a resource—one that is consumed not only by subjects but by the very medium itself. The video loop unfolds at a pace determined by the technical processes that sustain…
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How leopards caught leopards
Marcello Mercado How leopards caught leopards, 1-channel video installation, 20 min. 41″ (loop) stereo 4:3 black/white/color 2014 This is a post-documentary video work created in 2014, situated somewhere between experimental documentary and expanded documentary practices. The footage was discovered by chance: anonymous webcam streams from users who communicated silently through gestures…