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Scanners: The 2007 New York Video Festival

 

27.07.2007 – 29.07.2007

 

 

Scanners: The 2007 New York Video Festival

Fright Night

 

 

 

Series of Periodical Bilinear Surfaces

Marcello Mercado, Germany, 2006; 6m

 

 

Philip Brophy
Catherine Chalmers
Ryan Trecartin
Christian Jankowski
Marcello Mercado
Takeshi Murata
Robert Wilson
Leslie Thornton
Seoungho Cho
Michael Maziere
D-Fuse
David Phillips
Paul Rowley
Ariane Michel
Hank Willis Thomas
Erik Schmidt
Marine Hugonnier
Julian Rosefeldt
Arthur Kleinjan
Edin Vélez

 

 

 

Film Society of Lincoln Center

Walter Reade Theater

165 W. 65th Street,

(north side, upper level)

 

 

CANDID ARTS TRUST

 

 

06.05.2007

 

 

 

 

Index Generator 2.2

 

Basement CANDID ARTS TRUST,

3 Torrens St, London, EC1V 1NQ
Index Generator 2.2 is a programme of recent international video works located at the intersection of urban, media and political space.

It traces contemporary society’s capacity to generate non-stop discourse, as the constant dialogue of being in the world in a critical and symbolic

reflection of the dataflow of the super-structured values of the global capitalist military industrial entertainment complex. Featuring works from Argentina, Brazil, Canada, Israel/Netherlands, Italy, Japan, Palestine and Spain.

This programme is a selection from Index Generator 2, curated by Carlo Sansolo and Erika Fraenkel for the ReverberAções 2006 festival in São Paulo, Brazil.

 

 

 

 

 

 

 

 

Zemos98: 9° Edición: Fuera de control

19.03.2007 – 25.03.2007

 

 

Zemos98: 9° Edición: Fuera de control

 

Catalogue [+]

 

 

Facultad de Comunicación_Américo Vespucio s/n. Isla de La Cartuja.

Teatro Lope de Vega_Avda. de María Luisa, s/n.

caS Centro de las artes de Sevilla. SEDE OFICIAL_Monasterio de San Clemente. Torneo, 18

Endanza – Lugar de Creación_San Luis, 40.

C.S.O.A. Casas Viejas_Antonia Saenz 12, junto plaza del Pumarejo

OBBIO SALA CLUB_Trastamara, 29.

Teatro Alameda_Crédito, 11

Fundación Tres Culturas – Pabellón Hassan II_Max Planck, 2. Isla de La Cartuja

Universidad Internacional de Andalucía_Américo Vespucio, 2. Isla de la Cartuja

C. Andaluz de Arte Contemporáneo_C. de los Descubrimientos, s/n. I. de la Cartuja.

 

Sevilla

España

 

 

 

Marcello Mercado

The Capital -version.07: Moral and economic division

 

sala endanza día 2

 

 

 

El lienzo es la Pantalla – The canvas is the screen – Museo Nacional Centro de Arte Reina Sofia

22.02.200728.03.2007

 

The canvas is the screen

 

El lienzo es la Pantalla 

(pdf)

 

ISSUE

 

Curated by Berta Sichel and Céline Browez

El lienzo es la pantalla (del 14 de diciembre a mediados de enero de 2008). Este ciclo ha sido producido por el Museo Nacional Centro de Arte Reina Sofía (MNCARS), y reúne trabajos que relacionan la imagen en movimiento con un medio artístico clave: la pintura. Todos ellos se caracterizan por evocar las cualidades formales y preocupaciones conceptuales de la pintura, así como su historia.

 

Así, a partir de una amplia programación, se pasarán vídeos de Julien Devaux, Jos Stelling, Yu-Sheng Ho, Pieter-Rim de Kroon, Barbara F. Freed, Jean-Charles Fitoussi, Vincent  Monnikendam, Malcolm Le Grice, Ian Helliwell, Jean-Luc Godard y Anne-Marie Miéville, Joan Wallace, Alibhe Ni Bhriain, Jacco Olivier, Malcolm Le Grice, Ellen Harvey, Magdalena Fernández, Takehito Koganezawa y Marcello Mercado.

 

 

 

Museo Nacional Centro de Arte Reina Sofia

Calle Santa Isabel, 52
28012 Madrid

Spain

 

 

 

 

 

 

 

FILE FESTIVAL 2007

 

 

05.02.2007 – 31.03.2007

 

 

FILE FESTIVAL 2007

 

 

 

 

 

Marcello Mercado

‘FFFF FFFS FFSS SSSS, The pluripotent and the eleven HESC»

It is an electronic experimental opera. It is inspired in fluorescent lights, data sources programs and lightly in the retracted article about clonation: «Patient-Specific Embryonic Stem Cells Derived from Human SCNT Blastocysts».

 

 

 

 

FILE – Electronic Language International Festival is opening registrations for its eighth edition, that will be held at Sesi’s Art Gallery, in Sao Paulo, Brazil, in the period from August 26th to September 16th, 2007. Subscriptions are open from February 5th to March 31st, 2007. Submissions are free and open to professionals, researchers and students of the electronic language.

In the last seven years, FILE has shown what’s been happening in the global networks related to digital and electronic arts, becoming a reference for studies and research on new media. It has exhibited web art, net art, artificial life, hypertext, computer animation, real time teleconference, virtual reality, soft art, games, interactive movies, e-videos, digital panoramas and electronic art installations and robotics, through interactive and immersive rooms.

 

 

FILE SYMPOSIUM has bec ome a meeting point in the city of São Paulo, proposing discussions and tackling the electronic-digital culture in its relations to art, science and technologies.

 

 

FILE HIPERSÔNICA, the festival’s sonorous branch, is on it’s 5th edition and intends to elaborate connections between the world of images, the world of sonorities and the world of texts. Sound installations and real time performances will be presented by a number of groups and collectives, comprising both erudite and pop electronic music, but also electronic compositions, sound poetry, radio art, video music and sonic landscapes, as well as Djs and VJs presenting their sets through specific apparatus and installations with experimental and immersive projections.

 

 

 

 

FILE FESTIVAL 2006

14.08.2006 – 03.09.2006

 

 

FESTIVAL INTERNACIONAL DE LINGUAGEM ELETRÔNICA

ELETRONIC LANGUAGE INTERNATIONAL FESTIVAL

 

 

Catalogue Festival (pdf)

 

 

Continuing our proposition of disseminating high-level, cutting-edge culture to a wide public, SESI Art Gallery promotes, starting from August 14, 2006, a new edi- tion of FILE International Festival of Electronic Language – http://www.file.org.br. In its seventh edition, FILE may be considered one of the main international events of electronic art in the world, and certainly the major show of its sort in Brazil. FILE 2006 accomplishes its exposi- tory version with a great diversity of interactive works which represent the latest forms of aesthetic expression in contemporary digital culture. The festival brings seve- ral modalities of digital art, as web-film, web-art, net-art, virtual reality, artificial life and intelligence, robotics, per- formances, interactive installations.

 

SESI is highly concerned with motivating the national production of digital culture, and in providing spaces for the presentation of the new technological art forms, by Brazilian and international artists.

 

The realization of FILE 2006 is a further example of cul- tural actions promoted by the institutions maintained and managed by the industry entities of the state of São Paulo. With initiatives around the theme of education and sociocultural development, we try to prioritize the exerci- se of citizenship and to make it effective in our Country. At this moment, we believe that sponsoring and accom- plishing projects that comprehend the digital art universe is to be in tune with contemporaneity.

 

Paulo Skaf

Chairman, Federation of Industries of the State of São Paulo – FIESP, Roberto Simonsen Institute, SESI (SP) and SENAI (SP)

 

 

 

Galeria de Arte do SESI

São Paulo • Brasil

 

 

Georges Abstraction

16.05.2006 – 31.05.2006

 

 

 

Georges Abstraction (pdf)
Centre Pompidou.

Paris, France

 

 

curated by Bureau des Videos

 

 

MARCELLO MERCADO
“SERIES OF PERIODICAL BILINEAR SURFACES”, 2006, 27 MIN. 16 SEC. COURTESY DE L’ARTISTE Né en Argentine en 1963, vit et et travaille à Cologne

 

MARIO GARCIA TORRES
“ABANDONNED AND FORGOTTEN LAND WORKS THAT ARE NOT NECESSARILY MEANT TO BE SEEN AS ART”, 2004, 8 MIN. COURTESY GALERIE JAN MOT, BRUXELLES Né à Mexico en 1975, vit et travaille à Los Angeles

 

CHRISTOPHE BRUNNQUELL
“MAXIMUMFASHION”, 2006, 1 MIN. 15 SEC. COURTESY DE L’ARTISTE Né à Paris en 1969, vit et travaille à Paris

 

 

 

 

 

«L´oeuvre de Marcello Mercado explore en profondeur les
sources technologiques dont elle tire son origine. Cette
“broderie” conçue à l’aide d’appareils audiovisuels
a donné à Marcello Mercado la possibilité de forger
ses propres incises technographiques à partir de l’utilisation
du cinéma, de la vidéo et du numérique. En s´appropriant
différentes technologies, il amoindrit l’inévitable déter-
minisme imposé par la technique. (…)
Dans ses vidéos, l’essentiel des manipulations numériques
interminables repose sur le fait que, dans une perspective
intransigeante et expérimentale, seul un long processus
de manipulation digitale détermine la forme finale de
l´oeuvre, qui n´est jamais définitive pour Mercado. De là
naît un nouveau processus d´écriture avec des machines
numériques, sans montage ni production. (…) Ce travail
marque le début de la recherche de nouveaux langages,
basés sur des textures purement numériques, ainsi que sur
les façons de mettreen scène les mécanismes rhétoriques
de l´horreur par la manipulation d’images électroniques
non-figuratives.»

Jorge La Ferla

 

 

 

 

 

 

 

 

 

 

CeC & CaC 2006: The first Carnival of e-Creativity & Change

27.01.2006 -29.01.2006

 

 

 

CeC & CaC 2006: The first Carnival of e-Creativity & Change

 

 

 

 

CeC & CaC 2006,  The first Carnival of e-Creativity & Change-agents Conclave, was played out January 27-28-29, in 2006 (a Friday-Saturday-Sunday),  in partnership with – and in – India international Centre, New Delhi, as a modest first iteration of a series of public incidents that were variously played out annually over the next 10 years, till 2016,
The stated intent of this first iteration was to deploy an exploratory and widely-inclusive canvas of participation & content from around India and the world, addressing the Creative Empowerment of Individuals by the burgeoning spread of Technology across multiple streams of Creative Human Endeavour.