Media
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Dead Code Anatomies, 1990 – 2025
Marcello Mercado Dead Code Anatomies Installation 1990 – 2025 Dead Code Anatomies is a series of four algorithmic scripts that address the mechanisms by which physical violence is filtered, refracted, and suppressed by systems of procedural representation. Each work is based on a black and white analog photograph taken in 1990 using…
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Poly-Auto-Portraits 02
Marcello Mercado Poly-Auto-Portraits: Unstable Configurations of the Self Photographic Series 2025 In this new series, the concept of self–portraiture is expanded to the point that the boundaries of recognizable facial representation are dissolved. These poly-portraits are not merely superficial variations or controlled exercises in multiplication. Instead,…
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The algorithm, 2024
Marcello Mercado The Algorithm 2024 Process Art – New Media Art – Photography – AI The Algorithm is an exploration of the intersection between obsolete technologies, photographic processes, and the evolving nature of AI. It traces the transformation of a photographic recording apparatus over five decades, employing both historical reference…
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Bestiary for the Minds of the 21st Century: Genomic Opera, 2015
THE DIGITAL SYNESTHESIA GROUP The transdisciplinary DIGITAL SYNESTHESIA GROUP consists of project leaders Katharina Gsöllpointner (media theoretician), Ruth Schnell (artist), Romana Schuler (art historian) and artists Jeffrey Shaw and Peter Weibel. During the research process invited artists and scientists will participate as special guests in the context of certain topics and/or project phases.…
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Sense and Sensitivity I
16.09.2021 – 09.10.2021 Marcello Mercado Sense and Sensitivity I Bernet Bertram | Berlin Goethestraße 2–3 D 10623 Berlin-Charlottenburg Entrance B, across the Courtyard Aufgang B, über den Hof, Hochparterre Öffnungszeiten: Mittwoch bis Freitag, 14 ‑18 Uhr Sonnabend, 11–16 Uhr und nach Vereinbarung. Phone +49 (0)30 32 30 11…
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Connections and Gaps between Artists’ and Institutions’ New Media Preservation Efforts
02.02.2021 Connections and Gaps between Artists’ and Institutions’ New Media Preservation Efforts by Qinyue Liu Media art, which frequently involves data, software, or electronic devices, continues to face the challenge of technological obsolescence. In a previous article, this research project reviewed example models and strategies that media artists have…
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73° Salón Nacional de Rosario
04.10.2019 – 15.03.2020 73° Salón Nacional de Rosario Artistas: Antonella Agesta, Rodrigo Alcon Quintanilha, Facundo Belén, Vico Bueno, Aurora Castillo, Carla Colombo, Cotelito, Diego de Aduriz, Alfredo Dufour, Clara Esborraz, Elvira Ferrazini, Víctor Florido, Alfredo Frías, Jazmín Giordano, Silvia Gurfein, Mónica Heller, Carlos Huffmann, La quemada – teatro de figuras [Emiliana…
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BODENLOS. VILÉM FLUSSER AND THE ARTS
05.04.2017 – 07.05.2017 BODENLOS. VILÉM FLUSSER AND THE ARTS curated by: Baruch Gottlieb, Pavel Vančát exhibition concept: Baruch Gottlieb, Peter Weibel, Siegfried Zielinski exhibition architecture: Oldřich Morys graphic design: Jan Slabihoudek (opening: Tuesday, 4. 4. 2017 at 6 pm) The exhibition “Without Firm Ground: Vilém Flusser and the Arts” at GAMU, Prague…
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Akademie der Künste : Bodenlos – Vilém Flusser und die Künste
19.11.2016 – 10.1.2016 Akademie der Künste : Bodenlos – Vilém Flusser und die Künste Curators: Baruch Gottlieb & Siegfried Zielinski „Ins Universum der technischen Bilder“ oder „Lob der Oberflächlichkeit“ – mit solchen programmatischen Titeln avancierte Vilém Flusser (1920 – 1991) zu einem der einflussreichsten Denker der Kommunikation und der Medien des…
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DIGITAL SYNESTHESIA 2013–2016
04.08.2016 Foto: Birgit & Peter Kainz DIGITAL SYNESTHESIA 2013–2016 University of Applied Arts Vienna
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ISEA2016: 22nd International Symposium on Electronic Art
16.05.2016 – 22.05.2016 ISEA2016: 22nd International Symposium on Electronic Art Marcello Mercado Bestiary for the Minds of the 21st Century: Genomic Opera (c) Marcello Mercado ISEA International Foundation C. Kouwenbergzoom 107 3065 KC Rotterdam The Netherlands ISEA International Headquarters University of Brighton Faculty of…
