Zentrum für Kunst und Medientechnologie (ZKM)
Karlsruhe, Germany
https://zkm.de/de/veranstaltung/2017/02/potential-spaces

https://zkm.de/de/veranstaltung/2017/02/potential-spaces

19.11.2016 – 10.1.2016
Akademie der Künste : Bodenlos – Vilém Flusser und die Künste
Curators:
Baruch Gottlieb & Siegfried Zielinski
„Ins Universum der technischen Bilder“ oder „Lob der Oberflächlichkeit“ – mit solchen programmatischen Titeln avancierte Vilém Flusser (1920 – 1991) zu einem der einflussreichsten Denker der Kommunikation und der Medien des 20. Jahrhunderts. Offensiv nahm Flusser die Herausforderung an, die Künste neu zu denken angesichts der Tatsache, dass unsere Existenz wesentlich technisch geworden ist. Nach seiner Flucht vor den Nazis über Prag, England und Brasilien lebte er viele Jahre in Italien, der Schweiz und zuletzt in Frankreich. In der Art eines Parcours lädt die Ausstellung dazu ein, die Bewegung der flüchtigen Existenz als ein Modell für jene Gewalt des Zusammenhangs vorzustellen, den wir das 20. Jahrhundert nennen.
Beteiligte Künstler*innen
Danièle Akmen, Edmar de Almeida, Louis Bec, Michael Bielicky, Gabriel Borba, Jürgen Claus, Otávio Donasci, Harun Farocki, Peter Fischli/David Weiss, Alex Flemming, Samson Flexor, Joan Fontcuberta, Fred Forest, Herbert W. Franke, Cyriak Harris, Andreas Henrich, Fons Hickmann, Dieter Jung, Dietmar Kamper, Knowbotic Research, Jörg Lindenmaier, Thilo Mechau, Marcello Mercado, Achim Mohné/Uta Kopp, Andreas Müller-Pohle, Anthony Moore, Mouse on Mars, Matthias Müller, Solomon Nikritin, Nam June Paik, Brothers Quay, Mario Ramiro, Mira Schendel, Lisa Schmitz, Peter Simon, Ed Sommer, Wolfgang Spahn, Peter Weibel, Niobe Xandó, Pinar Yoldas
10117 Berlin-Mitte

Bernet Bertram | Berlin
Goethestraße 2–3
D 10623 Berlin-Charlottenburg
Entrance B, across the Courtyard
Aufgang B, über den Hof, Hochparterre
Öffnungszeiten:
Mittwoch bis Freitag, 14 ‑18 Uhr
Sonnabend, 11–16 Uhr
und nach Vereinbarung.
Phone +49 (0)30 32 30 11 33
info[at]bernet-bertram.com

16.05.2016
Piazza del Duomo, 20
31100 Treviso, Italy
Luciano Benetton Collection
An extraordinary collection where some of the most significant personalities of the contemporary art scene sit alongside a representative cross section of a young and very young generation of art creators. A visionary selection of over 200 works that together show a bold and compelling prolificacy, capable of leading German art away from the beaten track. As the curator Peter Noever writes in his introduction, “the artists, architects, and designers who are brought together here make it clear to see: art, like love, does not remain a merely archival matter, but much rather provides a fertile soil for the present and the future.” Narrative, condemnation, provocation, the grotesque, rupture and recomposition, references to images and legends that have changed history: a romantic, cynical, complex, restless, imaginative idea of the future, ‘made in Germany’.
Curated by Peter Noever

Size:
10x12cm
Materials:
compost
wood glue

17.05.2016 – 22.05.2016
In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer and Peter Weibel.

16.05.2016 – 22.05.2016
ISEA2016: 22nd International Symposium on Electronic Art
Marcello Mercado
Bestiary for the Minds of the 21st Century: Genomic Opera

(c) Marcello Mercado
ISEA International Foundation
C. Kouwenbergzoom 107
3065 KC Rotterdam
The Netherlands
ISEA International Headquarters
University of Brighton
Faculty of Arts
School of Art, Design and Media
Grand Parade
Brighton
BN2 0JY
United Kingdom

09.04.2016 – 10.04.2016
SAE Institute Wien sae.edu/aut
die ZWUPP Jungs für die Grafiken zwupp.at
Aufnahmen im Angewandte Innovation Lab: Ausstellung «Digital Synesthesia» („At Play“ Martin Kusch/Marie-Claude Poulin; „Bestiary for the Minds of the 21st Century: Genomic Opera“ Marcello Mercado)

19.03.2016 – 07.05.2016
West: Without Firm Ground Vilém Flusser and the Arts
Without Firm Ground
Vilém Flusser and the Arts
In cooperation with the ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe & Akademie der Künste Berlin
‘Synthetic images as an answer to Auschwitz’ (‘We Shall Survive in the Memory of Others’) asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new concretization, and thus a new and exciting life become imaginable: With this, post-history would begin. Flusser proactively took up the challenge of rethinking the arts, in the face of the fact that our existence is essentially determined by technology. To connect the methods of science with a new understanding of culture is the key concern of his special anthropology.
Flusser’s thought and texts were a continual experiment of living and surviving in the diaspora. When he was nineteen, he fled from his native Prague to England and then to Brazil, where he lived for thirty years. During the military dictatorship he returned to Europe, where he lived in the Italian provinces and Switzerland for a time, then in France for ten years. In the late 1980s, he became the star of media theory in Europe, with frequent appearances in the academic forums and arenas of Germany.
Wandering, without an academic discipline, and out of time in a twofold sense: Rather like a minimal obstacle course, the exhibition ‘Without Firm Ground – Flusser and the Arts’ invites visitors to imagine the fugitive existence of Vilém Flusser as a model of the violent context we call the 20th century. Confronted with a past that had become unreal, Flusser met what characterized the beginning of the twenty-first century with heightened anticipation – through the arts and his writing.
West Museumkwartier
Lange Voorhout 102
2514 EJ, Den Haag
The Netherlands


20.06.2015 – 15.10.2015
Bodenlos / Groundless, Vilém Flusser und die Künste
Curated by Siegfried Zielinski, Peter Weibel, Baruch Gottlieb and Norval Baitello jr.

Digital Synesthesia: A Model for the Aesthetics of Digital Art
Catalogue
Concept and editing by Katharina Gsöllpointner with Ruth Schnell and Romana K. Schuler
Published by Walter de Gruyter GmbH
catalogue, exhibition design, booklet and additional advertising media
Location: exhibition at Angewandte Innovation Laboratory (AIL) and at the
City University Hong Kong
Exhibiting artists:
Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch/Marie-Claude Poulin),
Alan Kwan, Karen Lancel/Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell,
Jeffrey Shaw/Sarah Kenderdine, David Strang/Vincent Van Uffelen, Tamiko Thiel/Christoph
Reiserer, Peter Weibel
