• Artists – Visions of death

    Artists – Visions of death

     

     

    Artists – Visions of death

     

     

    Stan Brakhage
    The Act of Seeing with One’s Own Eye
    1971

     

    Stan Brakhage_Lectures_revised (pdf)

     

     

     

    Marcello Mercado
    El Vacío – Empiness
    1994

     

    Marcello Mercado_Lecture_revised (pdf)

     

     

     

    Derek Jarman
    Blue
    1993

     

     

    Maya Deren

    Meshes of the Afternoon
    1943

    with synchronized Soundtrack by Teiji Ito (1959)

     

     

     

    Stan Brakhage
    The Garden of Earthly Delights
    1981

     

     

     

    Nagisa Oshima
    Death by Hanging
    1968

     

     

     

    Guy Maddin
    The Heart Of The World
    2000

     

     

     

    Dušan Makavejev
    WR: Mysteries of the Organism
    1971 (Fragment)

     

     

     

    Benjamin Christensen
    HAXAN Witchcraft Through the Ages
    1922

     

     

     

    E. Elias Merhige
    Begotten
    1991

     

     

     

     

  • Bio·fiction On Tour – Linz

    Bio·fiction On Tour – Linz

     

     

    15.11.2014 – 16.11.2014

     

     

    Bio·fiction On Tour – Linz

     

     

     

    In the framework of Science Days Ars Electronica Center focuses on specific core topics – this time the emphasis was placed on BioArt. BIO·FICTION screened all shortlisted films in the context of talks and lectures, guided tours and workshop around the topic. The programme gave insight into this young and exciting art form that deals with bacteria, tissue and tiny living organisms.

     

     

     

    Ars Electronica

    Ars-Eletronica-Straße 1
    Linz
    Austria

     

     

     

    FILMS PRESENTED:

    Electrostabilis Cardium – Agi Haines

    Synbio Ads London – Benedikt Groß

    Synbio Ads Mintel – Benedikt Groß

    The Culturists – David Benqué

    The Outline of Paradise – Ursula Damm
    Black Gold – Tim Clark and Frank Kolkman
    Quanticare – Amy Congdon, Jenny Lee, Ann-Kristen Abel

    Aflatoxin Biosensor – Kristin Ari Dwijayanti Abel and Dimas Dwi

    Exploring Indonesia – Adiguna Ari Dwijayanti
    Consultation – Ping Lu
    System Synthetics – Maurizio Montalti
    Bacteria to the Future – Sam Ireland
    Bacteria Compass – Howard Boland, C-LAB
    Travelling Research Kit – The Extrapolation Factory

    Protocell Technology – Shamees Aden, Sam J Bond

    Preparing for Tomorrow – Nathan Burr
    I Wanna Deliver a Dolphin – Ai Hasegawa
    Bio Flaneur – Aleks Cicha
    Living Food – Minsu Kim

    Streichhölzer – David Hochgatterer
    Alien Fanfare – Jonathan Monaghan
    Bioplastic Fantastic – Johanna Schmeer
    Uncolour Me Courious – Georgia Bondy
    Synthetic Biology: A New Way in Evolution – Uwe Sleytr

    Expanded Self – Sonja Bäumel

    Decapoda Shock – Javier Chillon
    I wish my life – Joachim Huveneers
    Eugene – Catalina Hoyos-Restrepo
    Vermin – Adi Gelbart
    Talking Life – Bâr Tyrmi/Rafael Linares
    Hybris – Arjan Brentjes
    The Arsehole Gene – Eric Romero
    Macrostructure – Eric Schockmel
    Bioluminescent Streetlamps – Steven van Eekelen

    Reinventing the Dodo – Steven van Eekelen
    Copy & Clone – Louis Rigaud
    Beastliness – Deborah Kelly
    Cytoplasmic Playgrounds – Markos Kay
    Pet Genesis – Amy May Chin, Ingrid Hulskamp, Pras Gu- naskera, Ting Chun Lin
    Bio-Logic – Gunasekera, Maurizio Montalti Ting Lin, Amy Chin

    KATERED – Howard Boland, C-LAB
    Proteo – Johanna Hoffmann-Dietrich
    Life Spectrum – Paloma Dawkins
    Quasi Objects Cinematic Environment #8 – Lorenzo Oggiano

    Tracked down by our genes – Gilbert Charles

    The Perfect Humus – Marcello Mercado

    Stress-O-Stat – Howard Boland, C-LAB

    Simply Complex – Duguid Cameron

    East End Journey – Lindsay Goodall

    Inorganica – Valerie Mellon

    New Mumbai – Tobias Revell
    Zero Park – Sascha Pohflepp
    Public Misunderstanding of Science – Bruce Gilchrist

    Daughter Cell – Kristina Korsholm
    DIYSECT: Learning in Public – Mary Tsang, Benjamin Welmond

    Soluble Structures – Yuki Yoshioka
    History of the Automobile – Scott Dorsey
    Puppet Earth – Laurens Roorda & Thijs Molenaar

  • Time is Love.7

    Time is Love.7

    23.08.2014 – 18.10.2014

     

     

     

     

     

     

     

    22 video works curated by kisito Assangni

     

    TIME is Love Screening is a roving international video art program on the theme of love in hard times.

    Since 2008 the project has been exploring forms of artistic expression rising from society and the new

    media’s use of technology.

     

     

     

    Torrance Art Museum
    3320 Civic Center Drive
    Torrance, CA 90503

     

     

     

  • Marcello Mercado: From 9H to 9B

    Marcello Mercado: From 9H to 9B

    20.10.2014

     

     

     

     

    Marcello Mercado: From 9H to 9B

     

     

    This book contains drawings and paintings by Marcello Mercado.

     

     

     

     

     

     

     

     

     

  • Kunstfrühling 2014

    Kunstfrühling 2014

     

    16.05.2014 – 25.05.2014

     

    Kunstfrühling 2014

     

    Bremen, Deutschland

     

    [+]

    Eröffnung: 15. Mai, 19 Uhr | Laufzeit: 16. Mai bis 25. Mai 2014
    | täglich von 11 bis 20 Uhr geöffnet

     

    Bereits zum 3. Mal präsentiert der Bremer Verband Bildender Künstlerinnen und Künstler
    den Kunstfrühling in der Gleishalle auf dem Gelände des ehemaligen Güterbahnhofs. Dabei
    verwandelt sich die 14.000 m2 große Gleishalle für 10 Tage in einen lebendigen Ausstellungsraum,
    in dem Museen, Kunstvereine und Galerien zeitgenössische Kunst aus Bremen und der Metropolregion
    präsentieren. Partnerstadt auf dem diesjährigen Kunstfrühling ist Hamburg. Zahlreiche Galerien,
    Atelierhäuser und Off-Spaces vermitteln einen interessanten Einblick in die Kunstszene der
    Millionenstadt an der Elbe und ermöglichen gleichzeitig einen anregenden Austausch zwischen den
    Hansestädten.

  • Marcello Mercado:  Sieben Sonnenblumen gelöscht

    Marcello Mercado: Sieben Sonnenblumen gelöscht

    28.04.2014

     

     

    Marcello Mercado: Sieben Sonnenblumen gelöscht

     

     

     

     

    Marcello Mercado produces an artist’s book where the seven versions of Vincent van Gogh’s sunflower paintings are subjected to a process of encoding and erasure, articulated through the invention of a self-conceived language and alphabet. The project offers a critical reflection on the limits of representation, translation, and symbolic destruction within an experimental artistic practice.

     

     

     

     

     

     

     

  • Variations Van Gogh

    Variations Van Gogh

     

     

     

     

     

     

     

    Marcello Mercado: Variations Van Gogh

     

     

    This book contains compositions and musical notations developed with small motors and robots mixed with visual representations of the sunflowers painted by Vincent Van Gogh.

    28.04.2014

     

     

     

     

     

     

     

     

  • TIME is Love.7 [Show 2]

    TIME is Love.7 [Show 2]

     

    21.03.2014

     

    TIME IS LOVE.7 – [Show 2]

     

     

    Artists:
    Alexis Milne & Tom Bresolin (UK),  Amina Zoubir (Algeria), Anahita Razmi (Iran),  Ana Moravi & Dellani Lima (Brazil), Anders Weberg (Sweden), Anne Lise Stenseth (Norway), Antonello Matarazzo (Italy), Arnaud Brihay (France), Belle Shafir (Israel), Carlo Giuseppe Zuozo (Italy), Eva Olsson (Sweden), Francesca Leoni (Italy), Gianluca Capozzi (Italy), Evelin Stermitz (Austria), Guli Silberstein (Israel), Grace Kim (Korea), Irina Gabiani (Luxembourg), Joas Nebe (Germany), Jose-Man Lius (France), Justyna Scheuring (Poland), Laura Focarazzo (Argentina), Marcello Mercado (Germany), Marie Paule Bilger & Pierre Friquet (France), Marina Fomenko (Russia), Margarida Paiva (Portugal), Matthias Mollner (Austria), Maximilian Schmoetzer & Fabian Heitzhausen (Germany), Max Hattler (Germany), Monica Elkelv (UK), Nao Sakamoto (Japan), Nina Lassila (Finland), Otto Berchem (USA), Rahman Hak-Hagir (Afghanistan), Rehema Chachage (Tanzania), Robert Croma (UK), Riham Isaac (Palestine), Said Afifi (Morocco), Said Rais (Morocco), Sandra Bouguerch (UK), Saul Levine (USA), Sheri Wills (USA), S/N Coalition (USA), Sylvia Toy St Louis (USA), Tina Hochkogler (Austria), Veronique Mouysset (France), William Esdale (UK).

     

     

    Galerie TALMART


    22 rue du Cloitre Saint-Merri

    75004 PARIS
    France

     

  • 40 Años de Videoarte alemán Parte2: Regrabación!

    40 Años de Videoarte alemán Parte2: Regrabación!

     

    13.03.2014 – 17.05.2014

     

    [+]

    Cerca de 40 videos, que datan de entre 1950 y 1980, recuperados y restaurados por el ZKM (Centro de Arte y Tecnología Mediática) de Karlsruhe, Alemania, se proyectarán como parte de la exposición Record Again! – ¡Regrabación! 40 años de videoarte alemán – II parte; entre los artistas presentes en esta muestra está Joseph Beuys, uno de los nombres más determinantes en el arte del siglo XX. La exposición es organizada por el Instituto Goethe de Bogotá y estará abierta entre el 13 de marzo y el 17 de mayo en la sala El Parqueadero del Museo de Arte del Banco de la República

     

     

    Sala El Parqueadero

    Museo de Arte del Banco de la República
    Goethe Institut,
    Bogotá, Colombia

  • From 9H to 9B, 2014, Book

    From 9H to 9B, 2014, Book

     

    From 9H to 9B (2014), 25.5 × 20 cm, 134 pages

    About the Book

    From 9H to 9B (2014) brings together drawings, paintings and video works by Marcello Mercado as a single field of material and procedural intensity. The title refers to the scale of graphite hardness, not as a technical index but as a conceptual range through which pressure, resistance and inscription are tested.

    Across the book, drawing is treated as a system rather than a gesture: a site where force, repetition and erosion accumulate over time. Lines thicken, dissolve or fragment, while color and painterly interventions enter not as expressive elements but as disruptions within a disciplined graphic structure. The works operate at the threshold between control and instability, between calibrated action and material excess.

    In continuity with Mercado’s earlier investigations into residue, coding and transformation, the book positions drawing as an operative interface—one that absorbs influences from performance, video and algorithmic thinking without collapsing into representation. Marks function less as images than as traces of processes unfolding across media.

    Rather than presenting a chronological overview, From 9H to 9B assembles a condensed archive of intensities. It proposes drawing as a temporal instrument: a surface where duration, pressure and translation are registered, layered and allowed to remain unresolved.