An extraordinary collection where some of the most significant personalities of the contemporary art scene sit alongside a representative cross section of a young and very young generation of art creators. A visionary selection of over 200 works that together show a bold and compelling prolificacy, capable of leading German art away from the beaten track. As the curator Peter Noever writes in his introduction, “the artists, architects, and designers who are brought together here make it clear to see: art, like love, does not remain a merely archival matter, but much rather provides a fertile soil for the present and the future.” Narrative, condemnation, provocation, the grotesque, rupture and recomposition, references to images and legends that have changed history: a romantic, cynical, complex, restless, imaginative idea of the future, ‘made in Germany’.
In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer and Peter Weibel.
Aufnahmen im Angewandte Innovation Lab: Ausstellung «Digital Synesthesia» („At Play“ Martin Kusch/Marie-Claude Poulin; „Bestiary for the Minds of the 21st Century: Genomic Opera“ Marcello Mercado)
In cooperation with the ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe & Akademie der Künste Berlin
‘Synthetic images as an answer to Auschwitz’ (‘We Shall Survive in the Memory of Others’) asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new concretization, and thus a new and exciting life become imaginable: With this, post-history would begin. Flusser proactively took up the challenge of rethinking the arts, in the face of the fact that our existence is essentially determined by technology. To connect the methods of science with a new understanding of culture is the key concern of his special anthropology.
Flusser’s thought and texts were a continual experiment of living and surviving in the diaspora. When he was nineteen, he fled from his native Prague to England and then to Brazil, where he lived for thirty years. During the military dictatorship he returned to Europe, where he lived in the Italian provinces and Switzerland for a time, then in France for ten years. In the late 1980s, he became the star of media theory in Europe, with frequent appearances in the academic forums and arenas of Germany.
Wandering, without an academic discipline, and out of time in a twofold sense: Rather like a minimal obstacle course, the exhibition ‘Without Firm Ground – Flusser and the Arts’ invites visitors to imagine the fugitive existence of Vilém Flusser as a model of the violent context we call the 20th century. Confronted with a past that had become unreal, Flusser met what characterized the beginning of the twenty-first century with heightened anticipation – through the arts and his writing.
West Museumkwartier
Lange Voorhout 102
2514 EJ, Den Haag
The Netherlands
Danièle Akmen, Edmar de Almeida, Louis Bec, Michael Bielicky, Gabriel Borba, Jürgen Claus, Otávio Donasci, Harun Farocki, Peter Fischli/David Weiss, Alex Flemming, Samson Flexor, Joan Fontcuberta, Fred Forest, Herbert W. Franke, Cyriak Harris, Andreas Henrich, Fons Hickmann, Dieter Jung, Dietmar Kamper, Knowbotic Research, Jörg Lindenmaier, Thilo Mechau, Marcello Mercado, Achim Mohné/Uta Kopp, Andreas Müller-Pohle, Anthony Moore, Mouse on Mars, Matthias Müller, Solomon Nikritin, Nam June Paik, Brothers Quay, Mario Ramiro, Mira Schendel, Lisa Schmitz, Peter Simon, Ed Sommer, Wolfgang Spahn, Peter Weibel, Niobe Xandó, Pinar Yoldas
Concept and editing by Katharina Gsöllpointner with Ruth Schnell and Romana K. Schuler Published by Walter de Gruyter GmbH
catalogue, exhibition design, booklet and additional advertising media
Location: exhibition at Angewandte Innovation Laboratory (AIL) and at the
City University Hong Kong
Exhibiting artists: Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch/Marie-Claude Poulin), Alan Kwan, Karen Lancel/Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw/Sarah Kenderdine, David Strang/Vincent Van Uffelen, Tamiko Thiel/Christoph Reiserer, Peter Weibel
„Nationen malen keine Bilder“, schrieb Werner Hofmann 1999 in seiner Streitschrift Wie deutsch ist die deutsche Kunst?. Mit der Praxis künstlerischen Arbeitens haben nationale Zuschreibungen wenig zu tun. Schließlich …