• Marcello Mercado/drawings

    Marcello Mercado/drawings

     

     

     

     

    Marcello Mercado

    Serie M3

    pencil and acrylic on paper,

    32cm x 22cm, 12,59in x 8,66in,

    2025

     

     

     

    In the selected drawings by Marcello Mercado, a systematic exploration of drawing as both event and residue unfolds. Neither illustrating nor narrating, these works reveal the act of drawing as a dynamic tension between presence and disappearance. They open up a space in which technique is not merely a means to an end, but a field of inquiry in its own right – subtly invoking both historical graphic traditions and the speculative urgencies of contemporary aesthetics.

    Each drawing becomes a microcosm of intention and chance, of containment and dispersal. The pencil oscillates between rhythmic linearity and fragmented interference. Lines intersect with seemingly spontaneous gestures that, upon closer inspection, reveal a calculated dissonance. This duality order under chaos – dialogues with the visual codes of algorithmic aesthetics.

    Works such as «Untitled 2022» and «Untitled 2010» showcase Mercado’s technical range: the juxtaposition of fine, almost calligraphic lines with broad acrylic overlays suggests a choreography between control and surrender. These layered gestures create zones of visual conflict where the image never fully stabilizes it flickers, resisting completion. This notion of instability echoes Catherine de Zegher’s assertion of the line as an ephemeral trace of thought, a residue of bodily intention.

    Formally, the drawings explore compositional strategies reminiscent of both architectural sketching and neurographic mapping. Shapes are suggested, not confirmed. «Series M3, for example, operates on a plane of ambiguity where figuration and abstraction collide. Suggestions of organic form emerge, only to be disrupted by erratic interventions.

    The color palette is often limited, favoring monochrome or duotone schemes with sudden bursts of pigment. This limitation heightens the material sensitivity of each mark. In works such as «M3-17,» economy of means becomes a strength: the few lines present are charged with a kinetic energy that suggests movement beyond the page. Conversely, the density of drawings such as «Mapping 2011» speaks to an almost sculptural approach to drawing layers upon layers form a textured visual field that resonates with the complexity of Baroque composition.

    Thematically, the drawings oscillate between diagram and dream. They resist traditional narrative, opting instead for a poetic language of signs and disruptions. Mercado’s use of layering both literal and conceptual – creates depth not only in space but also in time. Each drawing appears as a palimpsest, containing ghosts of previous gestures, corrections, and erasures. This processual visibility invites comparison with the tradition of analytical drawing, where the line is always in negotiation with itself.

    Materially, the combination of graphite, ink and acrylic is used with restraint but precision. Acrylic is not used for painterly effect, but to obscure or accentuate – it behaves as an active participant in the graphic discourse. In some cases it becomes a veil, in others a break. This interplay between transparency and opacity, between line and surface.

    Stylistically, the drawings explore both minimalism and excess. «Series M3-12 and Series M3-14, for example, construct complex arrangements out of repetition and noise. The use of repeated linear motifs mimics both digital glitches and archaic patterns, collapsing temporalities into a single gesture. Such works resonate with Rosa Lleó’s notion of the artwork as an archaeological fragment of the presentlayered, coded, in motion.

    From a curatorial perspective, these works demand to be read as a continuum: not as a collection of discrete objects, but as a living system of variation. Mercado’s practice, as articulated in this body of work, is deeply engaged with contemporary concerns about cognition, representation, and the failures of language. But it also remains rooted in the tangible: in paper, in mark, in breath. The drawings are acts of resistance against the flattening of perception, against the compression of meaning.

    As Manuel Segade might suggest, these drawings are bodies in and of themselves porous, layered, vulnerable. They invite us not only to look, but to follow, to get lost in their folds. They enact what José Luis Barrios describes as a decolonial practice of the image: denying clarity, embracing multiplicity.

    In this sense, Marcello Mercado’s work does not merely update the language of drawing it reorients it. By attending to the minute, the fragile, the uncertain, he opens a space for new forms of attention and engagement. These drawings are not illustrations of thought, but its sediment. They are not forms but thresholds. They are not finished they are arriving.

     

     

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 23,6in x 31,4in

    2022

     

     

    Marcello Mercado

    Untitled 01

    pencil and acrylic on paper,

    42cm x 59,4cm, 16,5in x 23,4in

    2010

     

    Marcello Mercado

    Untitled 02

    pencil and acrylic on paper,

    42cm x 59,4cm, 16,5in x 23,4in

    2010

     

     

    Marcello Mercado (m)2

    Marcello Mercado

    Untitled 01

    watercolour on paper,

    29,7cm x 42cm  11,6in x 16,5in

    2012

     

     

     

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 23,6in x 31,4in

    2022

     

     

     

     

    Marcello Mercado

    Serie M3

    pencil and acrylic on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Untitled

    pencil and acrylic on paper,

    42cm x 59,4cm, 16,5in x 23,4in

    2010

     

     

     

     

     

    Marcello Mercado

    Serie M3

    pencil and acrylic on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Untitled 01

    pencil on paper,

    42cm x 59,4cm, 16,5in x 23,4in

    2011

     

    Marcello Mercado

    Untitled 02

    pencil on paper,

    42cm x 59,4cm, 16,5in x 23,4in

    2011

     

     

    Marcello Mercado

    Untitled 01

    pencil on paper,

    60cm x 80cm, 23,6in x 31,4in

    2022

     

     

     

    Marcello Mercado

    Untitled 02

    pencil on paper,

    60cm x 80cm, 23,6in x 31,4in

    2022

     

    Marcello Mercado

    Untitled 03

    pencil on paper,

    60cm x 80cm, 23,6in x 31,4in

    2022

     

     

     

     

     

    Marcello Mercado

    Serie M3 – 12

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Serie M3

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

    Marcello Mercado

    Serie M3 – 14

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2025

     

     

    Marcello Mercado

    Bestiary for the minds of the 21st Century

    acrylic, enamel and pencil on tracing paper,

    110cm x 50cm, 43.3in x 19,6in,

    2015

     

     

     

    Marcello Mercado

    Selfportrait 1998

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    1998

     

     

     

    Marcello Mercado

    Untitled

    Coloured pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2005

     

     

    Marcello Mercado

    Untitled 01

    pencil on black paper,

    80cm x 60cm, 31.4in x 23.6in,

    2015

     

     

    Marcello Mercado

    Untitled 02

    pencil on black paper,

    80cm x 60cm, 31.4in x 23.6in,

    2015

     

     

    Marcello Mercado

    Untitled 03

    pencil on black paper,

    60cm x 80cm, 23.6in x 31.4in

    2015

     

    Marcello Mercado

    Untitled

    pencil on canvas,

    60cm x 80cm, 23.6in x 31.4in

    2018

     

     

    Marcello Mercado

    Untitled

    Coloured pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2015

     

     

     

    Marcello Mercado

    Untitled

    Coloured pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2015

     

     

     

    Marcello Mercado

    Untitled

    Coloured pencil and watercolour on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2005

     

     

    Marcello Mercado

    Marina

    pencil and oil on paper,

    32cm x 22cm, 12,59in x 8,66in

    2006

     

    Marcello Mercado

    Untitled

    Coloured pencil and watercolour on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2003

     

    Marcello Mercado

    Untitled

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in,

    2021

     

     

     

    Marcello Mercado

    Mapping

    acrylic and pencil on paper,

    80cm x 60cm, 31.4in x 23.6in,

    2011

     

     

    Marcello Mercado

    Mapping

    acrylic and pencil on paper,

    80cm x 60cm, 31.4in x 23.6in,

    2011

     

    Marcello Mercado

    Mapping

    acrylic and pencil on paper,

    80cm x 60cm, 31.4in x 23.6in,

    2011

     

    Marcello Mercado

    Untitled

    acrylic on paper,

    60cm x 80cm, 3 23.6in x 31.4in

    2011

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 3.6in x 31.4in

    2017

     

     

     

    Marcello Mercado

    Untitled

    coloured pencil on paper,

    22cm x 32cm, 8,66in x 12,59in, each

    2015

     

     

    Marcello Mercado

    Untitled

    coloured pencil on paper,

    22cm x 32cm, 8,66in x 12,59in, each

    2015

     

     

    Marcello Mercado

    Untitled

    pencil on paper,

    20cm x 30cm, 7.8in x 11.8in

    2015

     

     

    Marcello Mercado

    Untitled 02

    watercolour on paper,

    29,7cm x 42cm  11,6in x 16,5in

    2012

     

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 3.6in x 31.4in

    2015

     

     

    Marcello Mercado

    Serie L1

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in, each

    2021

     

     

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 23.6in x 31.4in

    2011

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 23.6in x 31.4in

    2021

     

    Marcello Mercado

    Untitled

    pencil on paper,

    60cm x 80cm, 23.6in x 31.4in

    2005

     

     

     

    Marcello Mercado

    Serie A1

    pencil on tracing paper,

    22cm x 32cm, 8,66in x 12,59in, each

    2011

     

     

    Marcello Mercado

    Ubtitled

    pencil on paper,

    22cm x 32cm, 8,66in x 12,59in, each

    2014

     

     

     

     

     

     

     

     

     

  • Marcello Mercado – Thinking (about AI) – Galerie Bernet Bertram  – 2025

    Marcello Mercado – Thinking (about AI) – Galerie Bernet Bertram  – 2025

     

    Marcello Mercado

    February 22
    to April 12, 2025

    Preview
    Friday, February 21, 7 to 9 pm

     

     

     

    Marcello Mercado
    Thinking (about AI)
    KI-assistierte Bildkompositionen und Videokunst

     

    Galerie Bernet Bertram 
    Goethestraße 2-3
    10623 Berlin-Charlottenburg
    Aufgang B, über den Hof, Hochparterre

    Öffnungszeiten:
    Mittwoch bis Freitag, 14 -18 Uhr
    Sonnabend, 11-16 Uhr
    und nach Vereinbarung.

     

  • TipBerlin, Ausstellung/Galerien, 2025

    TipBerlin, Ausstellung/Galerien, 2025

     

     

     

     

     

     

     

     

    Ausstellung/Galerien, 2025

     

     

    MARCELLO MERCADO

     

     

     

    Thinking

     

     

     

     

    Galerie Bernet Bertram

     

    Goethestr. 2-3 , 10623 Berlin

     

     

     

     

     

     

     

     

  • Marcello Mercado, Pintar con Datos: El lienzo es el Algoritmo, pdf

    Artista: Marcello Mercado

    Curadora: Andrea Geat

    Proyecto: Pintar con Datos: El lienzo es el Algoritmo

     

    DESCARGAR PDF

    Pintar con Data_Mercado_Geat

     

    1. Esquema

     

     

    2. Ejemplos de dibujos

     

     

     

    Objetos sobre dibujos:

     

     

    3. Imagenes AI

     

     

     

     

     

     

    4. Ejemplo CAPTCHA Lona Impresa

     

     

    5. Lonas imprresas 2

     

     

     

     

     

  • Marcello Mercado,  High volumes of Post-Post-After-After, AI-Book, 2025

    Marcello Mercado, High volumes of Post-Post-After-After, AI-Book, 2025

    Marcello Mercado

    High volumes of Post-Post-After-After

    AI-Book, 623 pages

    2025

    ONLINE BOOK — Browse the complete 623-page book using the navigation controls below.

     

     

     

    VIDEO INSTALLATION, 2026

    The installation translates the geometric structures of High Volumes of Post-Post-After-After from the book into a continuous moving-image environment.

     

    Marcello Mercado, High Volumes of Post-Post After-After, 2026
    1-channel video installation, 3 min. loop

     

     

    Selected sequences, 2026

     

     

     

     

     

     

     

     

     

     

  • Marcello Mercado, Mathematical Heads, AI-Book, 2024

    Marcello Mercado, Mathematical Heads, AI-Book, 2024

     

    Marcello Mercado

    Mathematical Heads

    AI-Book, 132 pages

    2024

     

     

     

  • The green that surrounds you, AI-Book, 2023

    The green that surrounds you, AI-Book, 2023

     

    Marcello Mercado

    El verde que te rodea / The green that surrounds you / Das Grün, das dich umgibt

    AI-Book / Artificial intelligence

    2023

     

    263 ways of looking at Metahumans / 263 formas de ver a los metahumanos / 263 Sichtweisen auf Metamenschen.

     

     

     

     

     

     

  • Marcello Mercado,  What I mean to say: There is a war on, EX_AI-Book, 2024

    Marcello Mercado, What I mean to say: There is a war on, EX_AI-Book, 2024

     

    Marcello Mercado

    What I mean to say: There is a war on

    Was ich damit sagen will: Es herrscht Krieg

    398 pages

    EX_AI-Book

    2024

     

     

     

     

     

     

  • Burning Garden, Single-channel video, 7m 43s, 2024

    Burning Garden, Single-channel video, 7m 43s, 2024

    Burning Garden (2024)


    Single-channel video, 7m 43s, sound and animation by Marcello Mercado

    Burning Garden is an expanded animation work that reconfigures the touchscreen of an iPhone 12 into a generative surface for immersive image construction. Shot entirely with a smartphone equipped with a LiDAR sensor, the project explores the unstable boundary between tactile interaction, photogrammetric capture, and animated composition.

    Fragments of a garden, a dog, and the artist himself—scanned through applications such as Scaniverse and EM3D—become volatile 3D models, activated through the simple gesture of a finger sliding across the screen. Post-scanning, these volumetric captures were chaotically rotated and recorded in dynamic, 360-degree sequences, assembling a layered and fluctuating visual field composed of 14 overlapping videos.

    In Burning Garden, the smartphone screen ceases to function merely as an interface and instead becomes an extension of the body’s perceptual agency, aligning with the expanded definitions of animation and embodiment proposed by theorists such as Amelia Jones and Jens Hauser. Here, animation is no longer a linear process but a live, procedural event, woven from gestures, screen captures, and algorithmic artifacts.

    In dialogue with Nicolas Bourriaud’s ideas of postproduction and relational aesthetics, Burning Garden positions the artist’s tactile interventions as acts of real-time editing and spatial re-assemblage, generating a fluctuating, unstable environment where the act of animation is inseparable from the conditions of its technological mediation.

    Projected at a large scale, the work intensifies its immersive character, situating viewers within a vibratory field of fragmentary color and movement. The installation format recalls Okwui Enwezor’s and Anselm Franke’s articulations of the artwork as a space of critical re-inscription, where the collapse of narrative coherence opens a field for alternative sensory and cognitive engagements.

    Rather than constructing a cohesive visual world, Burning Garden embraces disjunction, instability, and the entanglement of human and machinic agencies, echoing Bruno Latour’s conception of distributed actants within hybrid networks. The garden burns not through literal combustion, but through processes of continuous fragmentation, compression, and perceptual overload.

     

     

     

     

     

    Marcello Mercado

    Burning Garden
    2024
    7m 43″

    Soundtrack: Marcello Mercado

    Edition: Marcello Mercado

    Animation by Marcello Mercado

    Keywords
    #Expanded Animation, #3D scanner, #iphone12, #lidar sensor, #tactil animation, #360 grades animation, #screening captures

     

     

     

     

     

     

     

     

     

     

     

     

     

  • Marcello Mercado,  Return Data, AI-Book, 2024

    Marcello Mercado, Return Data, AI-Book, 2024

     

    Marcello Mercado

    Return Data

    AI-Book

    2024

     

  • Marcello Mercado,  To paint with Data II,  AI-Book, 2023

    Marcello Mercado, To paint with Data II, AI-Book, 2023

     

     

    Marcello Mercado

    To paint with Data II

    AI-Book, 138 pages

    2023