Installation

  • Das Kapital, Version 77, The Weight of the Weights

    Das Kapital, Version 77, The Weight of the Weights

        Marcello Mercado Das Kapital, Version 77: The Weight of the Weights An Archive in Transit   1- Channel Video Installation sound, color, 5 minutes 2025         Das Kapital, Version 77: The Weight of the Weights An Archive in Transit . In Das Kapital, Version 77: In The Weight of the…

  • Formula Van Gogh

    Formula Van Gogh

        Marcello Mercado Formula Van Gogh Speculative Formula – Essay 2025       Consider the following expression:     Here, V(t) represents the “sales function” of Vincent van Gogh across time: before his birth (), through his life, and long after his death (+). The integral equaling −1 formalizes a paradox: in his…

  • The Smell of War

    The Smell of War

    Visual-sonic interface structured as a channel. 2011 – 2025.

  • Live Streamings from Dolmens: DNA-Performance-Installation-Soundart

    Live Streamings from Dolmens: DNA-Performance-Installation-Soundart

      Marcello Mercado Live Streamings from Dolmens, 2011   DNA-Performance-Installation-Soundart   Flintinge, Denmark — 19/06/11 14:17 PM           Live Streamings from Dolmens unfolds as a quiet yet potent act of temporal entanglement. Beneath the ancient stones of Flintinge—dolmens whose origins drift somewhere between archaeology and speculation—the artist instigates a dialogue between…

  • Bestiary for the Minds of the 21st Century: Genomic Opera

    Bestiary for the Minds of the 21st Century: Genomic Opera

        THE DIGITAL SYNESTHESIA GROUP The transdisciplinary DIGITAL SYNESTHESIA GROUP consists of project leaders Katharina Gsöllpointner (media theoretician), Ruth Schnell (artist), Romana Schuler (art historian) and artists Jeffrey Shaw and Peter Weibel. During the research process invited artists and scientists will participate as special guests in the context of certain topics and/or project phases.…

  • Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies

    Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies

        Marcello Mercado Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies, 2007   Bio-Performance / Bio-Installation, 2007     In Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies, Marcello Mercado crafts a meditation on mortality, memory, and the biological archive, unfolding across…

  • transferring, storing, sharing and hybriding: The perfect humus

    transferring, storing, sharing and hybriding: The perfect humus

    Series of Ephemeral Video-Installations. 2010-2011.

  • DELETE

    DELETE

        Marcello Mercado DELETE Interactive Video Installation . In DELETE, language ceases to be a transparent medium for communication and becomes both subject and residue. Conceived in 2012 as an interactive video installation, the project reflects on the impossibility of truly erasing information within digital and mental architectures. Instead, it proposes the invention of…

  • The Economy of Residues: Temporal Assemblages of Capital and Body

    The Economy of Residues: Temporal Assemblages of Capital and Body

      Marcello Mercado The Economy of Residues: Temporal Assemblages of Capital and Body 1996 . 2004     The Economy of Residues (2004) is an experimental performance-installation articulating biological material, cognitive labor, and technological obsolescence into an operative system. Through the controlled circulation of human urine collected during readings of Das Kapital, a transitional cash…

  • Dead Code Anatomies

    Dead Code Anatomies

      Marcello Mercado Dead Code Anatomies Installation 1990 – 2025     Dead Code Anatomies is a series of four algorithmic scripts that address the mechanisms by which physical violence is filtered, refracted, and suppressed by systems of procedural representation. Each work is based on a black and white analog photograph taken in 1990 using…

  • Trace, Burn, Archive, 2005 – 2008

    Trace, Burn, Archive, 2005 – 2008

        Marcello Mercado Trace, Burn, Archive (2005–2008) Performances Series . In Trace, Burn, Archive, Marcello Mercado conducts a five-part performance series in Denmark and Germany, using his own DNA as both material and message. Between 2005 and 2008, each action explores a different relationship to the body’s trace – its preservation, dispersal, destruction, and…

  • How leopards caught leopards

    How leopards caught leopards

        Marcello Mercado How leopards caught leopards, 1-channel video installation, 20 min. 41″ (loop) stereo 4:3 black/white/color 2014     This is a post-documentary video work created in 2014, situated somewhere between experimental documentary and expanded documentary practices. The footage was discovered by chance: anonymous webcam streams from users who communicated silently through gestures…