Works

Transitory Artifacts, A Journey through Time and Media

  • Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies

    Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies

        Marcello Mercado Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies, 2007   Bio-Performance / Bio-Installation, 2007     In Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies, Marcello Mercado crafts a meditation on mortality, memory, and the biological archive, unfolding across…

  • transferring, storing, sharing and hybriding: The perfect humus

    transferring, storing, sharing and hybriding: The perfect humus

    Series of Ephemeral Video-Installations. 2010-2011.

  • DELETE

    DELETE

        Marcello Mercado DELETE Interactive Video Installation . In DELETE, language ceases to be a transparent medium for communication and becomes both subject and residue. Conceived in 2012 as an interactive video installation, the project reflects on the impossibility of truly erasing information within digital and mental architectures. Instead, it proposes the invention of…

  • The Economy of Residues: Temporal Assemblages of Capital and Body

    The Economy of Residues: Temporal Assemblages of Capital and Body

      Marcello Mercado The Economy of Residues: Temporal Assemblages of Capital and Body 1996 . 2004     The Economy of Residues (2004) is an experimental performance-installation articulating biological material, cognitive labor, and technological obsolescence into an operative system. Through the controlled circulation of human urine collected during readings of Das Kapital, a transitional cash…

  • Gödel Suite, 2009

    Gödel Suite, 2009

    1-hour Performance, 2009.

  • Trace, Burn, Archive, 2005 – 2008

    Trace, Burn, Archive, 2005 – 2008

        Marcello Mercado Trace, Burn, Archive (2005–2008) Performances Series . In Trace, Burn, Archive, Marcello Mercado conducts a five-part performance series in Denmark and Germany, using his own DNA as both material and message. Between 2005 and 2008, each action explores a different relationship to the body’s trace – its preservation, dispersal, destruction, and…

  • A DNA Artifact , 2007

    A DNA Artifact , 2007

          A DNA Artifact Running time: 5 days Performance, 2007 . In 2007, the artist carried out a three-part performative action across distinct European geographies—Munich, Extremadura, and Niederzissen—combining field observation, basic biotechnology, and cultural reflection. Act I began at the Ostfriedhof cemetery in Munich, at the grave of filmmaker Rainer Werner Fassbinder. A…

  • To whom belongs the Time?

    To whom belongs the Time?

        Marcello Mercado To whom belongs the Time? stereo, black/white Running time: 1h 03 minutes, 2020   This videoinstallation explores the notion of time as a resource—one that is consumed not only by subjects but by the very medium itself. The video loop unfolds at a pace determined by the technical processes that sustain…

  • How leopards caught leopards

    How leopards caught leopards

        Marcello Mercado How leopards caught leopards, 20 min. 41″, stereo, 4:3,  black/white/color, 2014       I found these webcam streams during the final broadcasts of Breaking Bad. Most of them disappeared later. Dead platforms, deleted accounts, broken links. People appeared alone in front of their screens. Smoking, waiting, barely speaking. Sometimes it…

  • Gödel Devices and Epistemic Apparatuses

    Gödel Devices and Epistemic Apparatuses

      Gödel Devices and Epistemic Apparatuses: A Performative Construction (Geneva, 2006)   In 2006, a performative apparatus was activated within a hotel room in Geneva—an environment operating simultaneously as a spatial container and a neutralized architecture of regulation. The performance constructed a field of epistemic operations based on the formal structure of Kurt Gödel’s incompleteness…

  • Images become containers; containers become images: A Performance in Seven Movements, 2005

    Images become containers; containers become images: A Performance in Seven Movements, 2005

      Images become containers; containers become images: A Performance in Seven Movements 2005   Conceptual FrameworkThis performance unfolds within a conceptual triangle: Max Weber’s reading of Calvinism as the ethical substrate of capitalism, John Calvin’s moral rehabilitation of profit through moderation and discipline, and Karl Marx’s critique of capital’s capacity to profit from catastrophe. The…

  • Marcello Mercado – AI – Books – Photography

    Marcello Mercado – AI – Books – Photography

      Marcello Mercado AI – Books     Marcello Mercado What I mean to say: There is a war on Was ich damit sagen will: Es herrscht Krieg 398 pages EX_AI-Book 2024             Marcello Mercado High volumes of Post-Post-After-After AI-Book, 623 pages 2024             Marcello…