Publications
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Marcello Mercado, Doppelt (Double), Photography, 30 pages, 2013
Marcello Mercado Doppelt (Double) Photography, 30 pages 2013 Doppelt (Double) In Doppelt (Double), Marcello Mercado approaches photography as a site of duplication, interference, and temporal instability. The book unfolds as a sustained inquiry into the image not as a fixed capture, but as a layered event—produced…
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Confinment, Artist´s book, 82 pages, 2020
Marcello Mercado Confinment Artist´s book, 82 pages 2020 Confinement Produced during the global lockdown of 2020, Confinement forms part of Marcello Mercado’s long-term investigation into the image as an operational system—where perception, technology, and lived experience intersect. Rather than documenting an exceptional moment, the book registers a…
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Marcello Mercado, White, conceptual artist book, 125 pages, 2013
Marcello Mercado White conceptual artist book, 125 pages 2013
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Variations Van Gogh
Marcello Mercado: Variations Van Gogh This book contains compositions and musical notations developed with small motors and robots mixed with visual representations of the sunflowers painted by Vincent Van Gogh. 28.04.2014
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From 9H to 9B, 2014, Book
From 9H to 9B (2014), 25.5 × 20 cm, 134 pages About the Book From 9H to 9B (2014) brings together drawings, paintings and video works by Marcello Mercado as a single field of material and procedural intensity. The title refers to the scale of graphite hardness, not as a technical index but as…
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The Perfect Humus. Part I, 2012, Book
The Perfect Humus. Part I: Collecting, Coding and Dropping Data, 2012 About the Book The Perfect Humus. Part I: Collecting, Coding and Dropping Data (2012) brings together photography, drawing, performance and video stills as components of a single operational field rather than as autonomous media. The book functions as an archive in motion: a…
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Marcello Mercado: New Subdivisions
New Subdivisions (2011), 13 × 20 cm, 60 pages About the Book New Subdivisions (2011) marks a decisive moment in Marcello Mercado’s practice, where language becomes a primary material subjected to processes of fragmentation, surveillance and systemic pressure. Written as experimental poetry, the book operates less as a literary object than as…