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Georges Abstraction

16.05.2006 – 31.05.2006

 

 

 

Georges Abstraction (pdf)
Centre Pompidou.

Paris, France

 

 

curated by Bureau des Videos

 

 

MARCELLO MERCADO
“SERIES OF PERIODICAL BILINEAR SURFACES”, 2006, 27 MIN. 16 SEC. COURTESY DE L’ARTISTE Né en Argentine en 1963, vit et et travaille à Cologne

 

MARIO GARCIA TORRES
“ABANDONNED AND FORGOTTEN LAND WORKS THAT ARE NOT NECESSARILY MEANT TO BE SEEN AS ART”, 2004, 8 MIN. COURTESY GALERIE JAN MOT, BRUXELLES Né à Mexico en 1975, vit et travaille à Los Angeles

 

CHRISTOPHE BRUNNQUELL
“MAXIMUMFASHION”, 2006, 1 MIN. 15 SEC. COURTESY DE L’ARTISTE Né à Paris en 1969, vit et travaille à Paris

 

 

 

 

 

«L´oeuvre de Marcello Mercado explore en profondeur les
sources technologiques dont elle tire son origine. Cette
“broderie” conçue à l’aide d’appareils audiovisuels
a donné à Marcello Mercado la possibilité de forger
ses propres incises technographiques à partir de l’utilisation
du cinéma, de la vidéo et du numérique. En s´appropriant
différentes technologies, il amoindrit l’inévitable déter-
minisme imposé par la technique. (…)
Dans ses vidéos, l’essentiel des manipulations numériques
interminables repose sur le fait que, dans une perspective
intransigeante et expérimentale, seul un long processus
de manipulation digitale détermine la forme finale de
l´oeuvre, qui n´est jamais définitive pour Mercado. De là
naît un nouveau processus d´écriture avec des machines
numériques, sans montage ni production. (…) Ce travail
marque le début de la recherche de nouveaux langages,
basés sur des textures purement numériques, ainsi que sur
les façons de mettreen scène les mécanismes rhétoriques
de l´horreur par la manipulation d’images électroniques
non-figuratives.»

Jorge La Ferla

 

 

 

 

 

 

 

 

 

 

Sound Transit – Broadcast on 23rd April 2006 (FBi, Sydney)

23.04.2006

 

 

 

Sound Transit – Broadcast on 23rd April 2006 (FBi, Sydney)

 

This week on SNATM, join us on a tramp through the creative commons of phonography as we traverse the diverse sounds of six continents on an ever-changing aural exhibition of free recordings contributed to the wonderful «sound transit» website. Compiled by Nick Mariette using original field recordings downloaded from SoundTransit, which are licensed under a Creative Commons Attribution 2.0 license.

 

Field recordings used were by: Derek Holzer, Aaron Ximm, John Grzinich, Maxim Shentelev, Planktone (aka Ward Weis), Jarra Schirris, Anna Friz, Marcello Mercado, Cedric Peyronnet, Rob Curgenven, Dallas Simpson, James Dunn, Takasaki Ryosuke, Keith de Mendonca, John Hopkins, Nick Mariette, Sean ONeill, Justin Hardison, Alessandro Bosetti, Toby Sinkinson.telev, Planktone (aka Ward Weis), Jarra Schirris, Anna Friz, Marcello Mercado, Cedric Peyronnet, Rob Curgenven, Dallas Simpson, James Dunn, Takasaki Ryosuke, Keith de Mendonca, John Hopkins, Nick Mariette, Sean ONeill, Justin Hardison, Alessandro Bosetti, Toby Sinkinson.

 

 

Part1 – human
Part2 – industrial
Part3 – nature

 

 

 

 

 

About The Physics Room

The Physics Room is a contemporary art space dedicated to developing and promoting contemporary art and critical discourse in Aotearoa New Zealand.

Based in central Ōtautahi Christchurch since 1996, we assist art practitioners with resources and opportunities to enable professional and creative development, and work to support the acknowledgement and understanding of contemporary art among New Zealanders. Our goal is to actively seek links between the arts and other areas of cultural production and to involve art as a contributing voice in wider intellectual, social and political debate.

 

 

 

 

 

CeC & CaC 2006: The first Carnival of e-Creativity & Change

27.01.2006 -29.01.2006

 

 

 

CeC & CaC 2006: The first Carnival of e-Creativity & Change

 

 

 

 

CeC & CaC 2006,  The first Carnival of e-Creativity & Change-agents Conclave, was played out January 27-28-29, in 2006 (a Friday-Saturday-Sunday),  in partnership with – and in – India international Centre, New Delhi, as a modest first iteration of a series of public incidents that were variously played out annually over the next 10 years, till 2016,
The stated intent of this first iteration was to deploy an exploratory and widely-inclusive canvas of participation & content from around India and the world, addressing the Creative Empowerment of Individuals by the burgeoning spread of Technology across multiple streams of Creative Human Endeavour.

 

 

 

 

 

 

 

 

11e BIM, La Biennale de l’Image en Mouvement

11.11.2005 -19.11.2005

 

 

11e BIM, La Biennale de l’Image en Mouvement

 

 

Programme 2 : rétrospective Marcello Mercado

Biografía, 2005, 3 minutes
El capital Version.07: Moral And Economic Division…, 2004, 17 minutes
The warm place, 1998, 36 minutes
El Borde de la Lluvia, 1995, 45 minutes
La región del Tormento, 1993, 8minutes 40″

 

 

 

Centre pour l’image contemporaine
Saint-Gervais Genève
5 rue du Temple
CH-1201 Genève, Switzerland
T +41 22 908 20 00
www.11bim.ch/
Direction: André Iten

 

 

 

 

15th Festival Videobrasil

 

06.09.2005 – 25.09.2005

 

 

 

15th Festival Videobrasil

 

 

Performance was the main theme of the Festival, once again at Sesc Pompeia, which had its run extended to three weeks, splitting the Southern Panoramas competitive exhibition into three different sections: State of the Art (aimed at the production of established artists), Contemporary Investigations (research), and New Vectors (emerging artists). The 15,000 people who attended the event have watched historical performance retrospectives dedicated to the works of Serbian artist Marina Abramovic, New-York-based media center The Kitchen, the Dutch World Wide Video Festival, and Videobrasil itself; nine live performances have been presented by Chelpa Ferro, feitoamãos/F.A.Q., Frente 3 de Fevereiro, Marco Paulo Rolla, Eder Santos, and Detanico Lain, from Brazil, Ingrid Mwangi, from Germany/Kenya, Melati Suryodarmo, from Indonesia, and Coco Fusco, from the U.S., who ran an intervention in front of the U.S. Consulate General. The Festival promoted meetings between the audience and artists such as Terezinha Soares, from Minas Gerais, a pioneer of performance in Brazil, as well as live-image evenings, debates, and a performance workshop coordinated by Marco Paulo Rolla and Marcos Hill from the Centro de Experimentação e Informação de Arte (MG). The Festival welcomed 114 guests from Brazil and abroad and granted six awards, three of them residencies including the production of audiovisual artwork.

 

 

 

 

Sesc Pompeia

Rua Jaguaré Mirim, 210
Vila Leopoldina – São Paulo – SP BR
05311 020

 

 

 

 

Featured artists