22.02.1997
Transmedia ´97
Breaking the borders
Hackesche Höfe Cinema
Berlin.Germany
Mediopolis Berlin e.V.
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Wand 5 e.V.: Filmwinter 97
09.01.1997 – 12-01.1997
Programm
Sonntag 12. JanuarLupe 2
14 Uhr Marcello Mercado experimentelle Videos
15.30Uhr Patenfilme: eine sehr persönliche Auswahl
von Wand 5 Mitgliedern
18 Uhr Wettbewerb 6 Wiederholung
20 Uhr Jane Campion Kurzfilme (WH)
22 Uhr Link Project, Rifrazioni 2
Auswahlprogramm von Daniele GasparinettiTreffpunkt Rotebühlplatz
14 Uhr London Electronic Arts Auswahlprogramm von John Thomson
16 Uhr Jack Smith «Flaming Creatures»
John Maybury «Maledicta Electronica»Wand 5 e.V.
Friedrichstraße 23 a
70174 Stuttgart
Germany
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XVI Franco Latin-American Festival
11.11.1996 – 16.11.1996
XVI Franco Latin-American Festival
Traditional French event unites South American exhibitions and searches for its own public
The Franco Latin-American Video-Art Festival (FFLA) is a traditional event whose main objective is to unite, in one exposition, videos from Columbia, Argentina, Chile and Brazil. Seven days are dedicated to exhibiting works, which compete for a one month scholarship in France, before an international jury in Bogota. This year there is the promise of another prize created by TV5 and which will be defined by vote by the viewing public. Organized and conducted by the Ministry of Foreign Relations of France, through its Audio Visual Department, FFLA, although an event with its own dates , location and catalogue is trying , through its association with Videobrazil, to draw nearer to its public and become part of the artistic effervescence of our event and consequently modernize its cultural identity. The exhibition of the videos – in which Solange Farkas , director of Videobrazil, has curated the Brazilian portion – will be carried out through tv transmission, making it unnecessary to send the tapes to the different localities of the event.
Invited curator |
artists
- Adrián de Rosa
- Alejandro Saenz
- Andrés Eduardo Burbano
- Andrés Juan Mendoza
- Anne Sophie Brabant
- Ar Detroy
- Arturo Marinho
- Beriou
- Caco Souza
- Cao Hamburger
- Carlos Nader
- Christian Boustani
- Cristian Alwin
- Cristian Rosales
- Edouart Monnet
- Eduardo Araya Gonzáles
- Elvia Mejía
- Enrique Artigas
- Florence Deygas
- Francisco Arévalo
- François Vogel
- Gastón Duprat
- Gilles Charalambos
- Joël Bartolomeo
- Jorge Castro
- José Alejandro Restrepo
- Kiko Goifman
- Kiko Mollica
- Laurent Debarge
- Loïc Connansk
- Luisa Vergara
- Lydie Jean-Dit-Pannel
- Marcello Mercado
- Margarita Becerra Cano
- María Luisa di Como
- Maria Oliveira
- Maria Teresa Corrales
- Mario Chierico
- Marta Nehring
- Martín Duque
- Michael Dean
- Michäel Gaumnitz
- Michel Chion
- Moïra Marguin
- Octavio Amaro
- Olivier Kuntzel
- Olivier Rigaud
- Patricio Muñoz
- Paul Frederick
- Philippe Paddeu
- Sergio Angulo
- Silvia Ibarra
- Virginie Hervieu
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11th Festival Videobrasil
12.11.1996 – 17.11.1996
Associação Cultural Videobrasil SESC São Paulo
55 11 36450516
Rua Jaguaré Mirim, 210
Vila Leopoldina – São Paulo – SP BR
05311 020In its eleventh edition, hosted in Sesc Pompeia, the Festival gained prestige within the international scene due to an unique quality: its ability to gather high-quality work produced outside the traditional Europe-United States axis. Once again, the event showed a penchant for performances, such as those of Eder Santos and Paulo Santos, Stephen Vitiello and Steina Vasulka, Isabelle Choinniere and Marcondes Dourado. The relationship between video and art – especially poetry, installation, and painting – took over the production, which was initially linked to television and cinema. Edition number eleven payed tribute to video art’s thirty year anniversary, featuring a retrospective exhibition of a great pioneer: Nam June Paik, from South Korea, who created a special reedition of an already classic work, “TV Moon”. Parallel events included the creation of Videobrasil Cyberspace, which provided access to CD-ROM consulting, and also to projects developed for the then-incipient Internet.
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Buenos Aires Video 8 : Premio ICI de video
10.10.1996
Buenos Aires Video 8 : Premio ICI de video
Archivo Fundación Espigas
Buenos Aires : ICI Centro Cultural de España,
AECI Agencia Española de Cooperación Internacional,
1996
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ISEA96: Seventh International Symposium on Electronic Art
16.09.1996- 20 .09.1996
ISEA96: Seventh International Symposium on Electronic Art
Remains of my mother
ISEA International Foundation
C. Kouwenbergzoom 107
3065 KC Rotterdam
The NetherlandsISEA International Headquarters
University of Brighton
Faculty of Arts
School of Art, Design and Media
Grand Parade
Brighton
BN2 0JY
United Kingdom
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REIHE VIDEO KUNST
06.08.1996
14: VIDEOPOLITIK:
Gavin Hodge,
Max Almy,
Shalom Gorewitz,
Marcello Mercado,
Juvenal Pereira,
Fabio Almeida,
Eva Brunner-Szabo,
Manfred Neuwirth,
Friederike AndersCurator: Gottfried Hattinger
Zehn Jahre lang wurden im Festsaal des Oberösterreichischen Landesmuseums Beispiele aus dem Genre der Videokunst gezeigt. Jedem Abend war ein inhaltlich/thematischer Schwerpunkt zugeeignet.
REIHE VIDEO KUNST
Landesgalerie Linz, Austria
1994 bis 2004 -
Grant MacArthur Foundation: Journalism & Media
01.06.1996
Mercado, Marcello
Cordoba, Argentina
The Capital Project
1996
Grant MacArthur Foundation: Intercultural Film/Video Grant and 1 Journalism & Media Grant
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Entrevista com os artistas Guillermo Cifuentes e Marcello Mercado (1996)
22.05.1996
Os artistas falam sobre a especificidade do vídeo latino-americano. Guillermo Cifuentes é realizador de vídeo experimental, montador de documentários e professor universitário. Recebeu o título de Comunicador Audiovisual em 1991 pelo Instituto Arcos. Logo após se formar, começou a trabalhar como professor assistente na universidade. Realizou um Master of Fine Arts com especialização em Videoarte no College of Visual and Performing Arts da Universidad de Syracuse, nos Estados Unidos. Como artista, realizou curtas experimentais, participou de instalações e trabalhou com cenografia. Suas obras foram expostas em inúmeras exposições individuais e coletivas em Santiago, Buenos Aires, São Paulo, Nova York, Los Angeles, Berlim, Tel Aviv, Locarno, Beirut, Amsterdam, entre outras cidades. Cifuentes foi premiado pela Fundación Andes e pela Fondart. Foi membro fundador da Asociación de Cortometrajistas de Chile, curador de exposições e júri de concursos de videoarte (como o de Kent Explora). Foi cenógrafo na peça Contacto en Santiago High Tech, de Cristian Soto. Entre seus documentários, destacam-se Gente al Límite e Pachaiki. Lecionou no Instituto Arcos, na Universidad de Chile, na Pontificia Universidad Católica de Chile, na Universidade Arcis e na Uniacc, em Santiago. Marcello Mercado é artista que transita entre pintura, videoarte, objetos, instalações, robótica e arte sonora, A relação entre biologia, tecnologia e arte está na base de sua extensa obra interdisciplinar. Premiado duas vezes no Videobrasil, no Videoformes, na França, e no Melbourne International Film & Video Festival, Austrália, expôs na Bienal de Veneza, Itália; no Museo Nacional y Centro de Arte Reina Sofía, Madri, Espanha; no New York Film Festival Lincoln Center, Nova York, EUA; e foi contemplado com bolsas e prêmios de residência por instituições como a Fundação Rockefeller & MacArthur (EUA) e Antorchas (Argentina). Vive e trabalha em Colônia, Alemanha.
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14. WORLD WIDE VIDEO FESTIVAL
13.04.1996
A Fernando Alvarez Cozzi, Anna Anders, Claudia Aravena, Association Synesthésie B Beth B, Mark Bain, Phyllis Baldino, George Barber, Irit Batsry, René Beekman, Zoe Beloff, Stuart Bender, Malik Bensmaïl, Darya von Berner, Kjell Bjørgeengen, Christin Bolewski, Daniel Boord & Louis Valdovino, Luc Bourdon, Carlo Buzzi C Andy Cameron, Inês Cardoso, Vincente Carelli, Shu Lea Cheang (1), Shu Lea Cheang (2), Seoungho Cho, Tony Cokes, Norman Cowie, Walter van der Cruijsen D Vanessa van Dam, Andy Davies, Stefaan Decostere, Linda Dement, Kristine Diekman & Tony Allard, Bart Dijkman, Marcel Dinahet, James Duesing E Merilyn Fairskye, Angelo Funicelli F Kirsten Geisler, Elio Gelmini, Knut Gerwers, Joe Gibbons, Clive Gillman, Marie-France Giraudon & Emmanuel Avenel, Lutz Gregor G Gusztáv Hámos, Nelson Henricks, Doug Henry, Gary Hill, Nan Hoover H Mako Idemitsu, Fabio Itapura de Miranda & Gisela Domschke, J K.P. Jayasankar & Anjali Monteiro, Birgit Johnsen & Hanne Nielsen, Jaap de Jonge K Yoonah Kim, John Knecht, Neven Korda & Zemira Alajbegovic L Manon Labrecque, Henning Lohner, Antal Lux M Ming-Yuen S. Ma, Dalibor Martinis, Steven Matheson & Jenny Lion, Paul McCarthy & Mike Kelley, Alex van Mechelen, Marcello Mercado, Ermeline Ie Mézo, Merel Mirage, Jordi Moragues, Andrea Müller-Pohle N Carlos Nader, Necro Enema Amalgamated, Manfred Neuwirth O Marcel Odenbach, Dan Oki, Lennaart van Oldenborgh P Alix Pearlstein, Alain Pelletier, Fabrizio Plessi, Ponton European Media Art Lab, Jane Prophet, Natasa Prosenc, Joan Pueyo R Edward Rankus, Don Ritter, Alan Robertson & Douglas Aubrey, Matthew Robinson, Miroslaw Rogala & Carolee Schneemann, Francisco Ruiz de Infante S Kirk Samuelson, Éder Santos (1), Éder Santos (2), Jacob F. Schokking & Ane Mette Ruge, Rachel Schreiber, Martin Sjardijn, Ivan Snow, Andrew Stones, Michael Støvring, Elisabeth Subrin, Cordelia Swann T Christine Tamblyn, Ana Torfs, V Zaneta Vangeli, Veit-Lup, Walter Verdin, Ilze Vidauska, Bea de Visser W Akke Wagenaar, Deborah Wasserman, Robert Wilson & Paul Kaiser, Marten Winters Y Shinichi Yamamoto Z Zush & MUBI media
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Film nº 17, diciembre de 1995-enero de 1996
30.12.1995
Film nº 17, diciembre de 1995-enero de 1996
Malón. Nueva sección con material diverso sobre música y cine, últimos estrenos, láser discs, films en video que no pasan por el cine, clásicos, libros y exceso de equipaje, p. 6.
Casino. Antes del estreno argentino, Alvaro Buela vio el último film de Martin Scorsese en el Festival de Londres, p. 16.
Alain Robbe-Grillet. Entrevista exclusiva con el creador del Nouveau Román, guionista de El año pasado en Marienbad y realizador de algunos de los films más extraños de la historia del cine, p. 20.
Cine argentino ’95. En esta segunda y última aproximación a la producción nacional del año, Sergio Wolf repasa los estrenos y anuncia films en camino, p. 24.
Dossier James Bond. Todos los films y toda la historia del personaje de lan Fleming para demostrar por qué Golden Eye no es un film de Bond aunque así lo parezca. Christian Kupchik hace las presentaciones, Diego Curubeto rastrea imitadores y acuña el curioso término “Spaghetti-Bond”, Fabio Blanco rescata la delirante Casino Royale y Sergio Wolf discute la posible relación de Bond con Intriga internacional, de Hitchcock, p. 30.
Marcello Mercado. De creador a creador, charla con uno de los realizadores más fascinantes del video argentino contemporáneo. Por Pablo Rodríguez Jáuregui, p. 50.
Video x 3. Demasiados festivales de video para una revista bimestral Rosario ’95. Francolatino y Festival de Escuelas de Cine, reseñados por Fernando Martín Peña, Mariela Gargano y Luciano Monteagudo respectivamente, p. 54.Massimo Troisi. La obra del notable comediante napolitano, evocada con descubierto fanatismo por Patricio Narodowskj Una entrevista complementaria con Michael Radford y Antonio Skármeta sobre El cartero por Paraná Sendrós, p. 58.
Clásicos nativos. Raúl Manrupe apunta las sorprendentes ambigüedades de El Retrato, de Carlos Schlieper, y Vidalita, de Saslavsky, p. 62.
