• DIGITALE_99

    DIGITALE_99

    20.10.1999 – 23.10.1999

     

    DIGITALE_99

     

    Digital Autonomy

     

     

     

    This year’s Digitale points out distinctive features of the new production technologies. It seems as if small handy cameras linked to clever dogmas and an effective promotion on the www have turned traditional production methods upside down. The first event of Digitale is taking place on Thursday and has a special focus on the new possibilities offered by mobile cameras. On Friday, Digitale explores «local changes» that start in South America, passing down the «Road of Fraternity» towards the Balkans and ending in a rhythmic trip around «Lucky People Center’s» globe.On Saturday, under the title «Digital/Analogue Streaming», Digitale examines the scope of what can be created by clever changes of media and codes. Brunches will take place in the mornings and are dedicated to personalities like Richard Leacock and Fernando Birri. On Saturday morning, the focus is on the distribution methods for independent films. The Workshops present examples and discussions on the subject «Digital Autonomy». The evening Screenings open with the first performance of y e c, an initiative to promote the young European cinema, followed by a screening of Richard Leacock films. Erik Pauser and Johan Söderberg also present their «Lucky People Center International». On Saturday, Digitale invites everyone for an evening with Paul Morrissey. For the final event, under the title «Kiss Me More», F.M. Einheit reacts at ARTheater on Digitale’s visuals. Hellmuth Costard contributes an extra event which will be presented next to the workshops, Blackhole TV broadcasts its program on the www and IACE present a concept on instant archaeology.

     

     

     

     

    Concept and Realization: Nils Röller and Siegfried Zielinski
co-ordination/editorial assistance: Evelyn Mund
PR/Organization: Leonardo Ltd.
www/Blackhole TV: Timothée Ingen-Housz
IACE: Francis Bittenberger and Michael Mikina
Concept/Streaming: Jürgen Moritz
Local Changes: in co-operation with Heike Mutter
Design: Mike Fröhlich
    Digitale ’99 is organized by the Academy of Media Arts Cologne commissioned by the Staatskanzlei of Northrhine-Westfalia and in co-operation with the City of Cologne.
    Responsible for concept and realization are Nils Röller and Prof. Dr. Siegfried Zielinski.
    Digitale ’99 is supported by SONY Germany.

     

     

     

     

    Kunsthochschule für Medien Köln

    Academy of Media Arts Cologne

    Peter-Welter-Platz 2

    D-50676 Köln

    Germany

     

     

     

     

     

     

  • PERU/VIDEO/ARTE/ELECTRONICO – 1999

    PERU/VIDEO/ARTE/ELECTRONICO – 1999

    15.05.1999 . 29.05.1999

     

     

     

     

    PERU/VIDEO/ARTE/ELECTRONICO

    Memorias del festival internacional de video/arte/electrónica

     

     

     

     

    Page 55

     

     

     

     

     

     

     

     

     

     

     

     

  • Podewil

    Podewil

    12.02.1999

     

    Podewil

    Transmediale präsentiert-Inmedia talk/show
    Berlin. Germany

     

     

    Marcello Mercado

    The Warm place

     

  • THE NEW YORK TIMES: CRITIC’S NOTEBOOK; A Thematic Feast of Avant-Garde Videos

    16.07.1999

     

     

     

    CRITIC’S NOTEBOOK; A Thematic Feast of Avant-Garde Videos

     

     

    (Page 5 of 5)

     

    ‘THE EMPEROR JONES» (United States), by Chris Kondek. A screening of a documentary about the Wooster Group production of the Eugene O’Neill work, followed by a panel discussion with Elizabeth LeCompte, director of the Wooster Group production; Mr. Kondek; Kate Valk, an actress in the video, and David Sterritt, a film critic, 9 P.M.

     

     

    Tomorrow

     

    »FAMILY MATTERS,» with »Spank» (United States, 1998), by Diane Nerwen; »My Parents Read Dreams I’ve Had About Them» (United States, 1998), by Neil Goldberg; »No Concept But Good Sense» (United States, 1998), by Pilar Wiley; »2 into 1» (Britain, 1997), by Gillian Wearing; »Generation Loss» (United States), by Sean Bokenkamp; »A Part of Me» (Britain, 1998), by Carl Callam; »Shifting Positions» (United States), by Kathy High, 1 P.M.

     

    »THEY DON’T MAKE ‘EM LIKE THEY USED TO,» with »Mark Roth» and »Marbles» (both United States), by Animal Charm; »All Smiles and Sadness» (United States), by Anne McGuire; »2 Spellbound» (United States), by Les Leveque; »Ode» (United States), by Kelly Reichardt, 3:30 P.M.

     

     

    »ONLY HUMAN,» with »Rabbit, Rabbit, Rabbit» (United States), by Stuart Hawkins; »Bird Watching» (United States, 1998), by David Kareken; »Spiritual Animal Kingdom» (Canada, 1998), by Steve Reinke; »Ape—-» (United States), by Leah Gilliam; »Zoo: A Melancholy Bestiary» (United States, 1998), by Don Bernier, 5:45 P.M.

     

    »AFTER IMAGES,» with »Wonder Spider» (United States, 1998), by Pan Optic; »Eklipsis» (United States, 1998), by Tran T. Kim-Trang; »F for Fake: The Black Hole Sun» (Italy, 1997), by Cane Capo Volto; »Dead Weight of a Quarrel Hangs» (United States, 1998), by Walid Raad; »The Warm Place» (Argentina, 1998), by Marcello Mercado, 10:15 P.M.

     

     

    Sunday

     

    »CONFESSION,» (Russia, 1998), a four-and-a-half-hour documentary by Aleksandr Sokurov inspired by the diary of a submarine captain, 1 P.M. In Russian with English subtitles.

     

    »FAMILY MATTERS,» 6 P.M.

     

    »AFTER IMAGES,» 8:15 P.M.

     

     

     

    Monday

     

    »OUTER AND INNER SPACE,» 4 P.M.

    »THEY DON’T MAKE ‘EM LIKE THEY USED TO,» 6:15 P.M.

    »DO ALL MUSIC VIDEOS GO TO HEAVEN?» (United States), a music video by Armond White, 8:30 P.M.

    Tuesday

    »GHOSTS IN THE MACHINE,» with »Moby Richard» (United States), by Emily Breer; »Negative Space» and »The Falconer» (both Britain, 1998), by Chris Petit, 4 P.M.

    »WORKING FOR THE MAN,» with »Locked Groove» (Germany, 1997), by Caspar Stracke; »The Target Shoots First» (United States), by Christopher Wilcha, 6:15 P.M.

    »ONLY HUMAN,» 8:30 P.M.

     

     

    Wednesday

     

    »MIND THE GAP,» with »Things to Remember About Daumier» (United States), by Matthew Konicek; »Ship of Fools» (United States, 1998), by Tony Allard; »Erratic Angel» (Canada, 1998), by Donigan Cumming, 8:30 P.M.

    »GHOSTS IN THE MACHINE,» 6:15 P.M.

     

     

    Thursday

    »MIND THE GAP,» 6 P.M.

    »LOVE DIAMOND,» performance piece by Miranda July; music by Zac Love, 9 P.M.

     

     

     

     

     

     

     

     

  • Buenos Aires Video X

    Buenos Aires Video X

    12.07.1999

     

     

     

    Descripción: 117 p. : il. byn ; 23 cm. + 1 cd-rom.

     

     

     

    Curadores Rodrigo Alonso y Graciela Taquini

     

     

     

    Contenidos:

    Apropiación de una químera. Prefacio. Diez años de video en Buenos Aires. La hora cero. La generación videasta. El epicentro energético de la vanguardia audiovisual. Primeros pasos (pases) del ICI. Los curadores. Los primeros noventa. Flujos y reflujos. La nueva ola. Los premios del ICI. Formas expandidas en torno al video. Mundos en 1 y 0. El mito del eterno retorno. Entre el «In» y el «Off». Diez años en perspectiva. Notas. Buenos Aires Video Data. Buenos Aires Video I. Buenos Aires II. Buenos Aires III. Buenos Aires IV. Buenos Aires V. Buenos Aires VI. Buenos Aires VII. Buenos Aires VIII. Buenos Aires IX. Buenos Aires X.

    Resumen: La presente obra trata sobre la historia de la video creación argentina de los últimos diez años, periodo en el cual adquirio una identidad propia y reconocida.

     

     

     

    Buenos Aires : ICI Centro Cultural de España,

    AECI Agencia Española de Cooperación Internacional,

    1999

     

     

     

     

     

     

     

     

     

  • Präsentationswoche an der Kunsthochschule für Medien Köln

    05.07.1999 – 09.07.1999

     

     

    Präsentationswoche an der Kunsthochschule für Medien Köln   [+] pdf

     

     

     

    Positionen Vorführungen Ereignisse

     

     

     

     

    Marcello Mercado, Politik, Performance

     

     

    Kunsthochschule für Medien Köln

    Academy of Media Arts Cologne

    Peter-Welter-Platz 2

    D-50676 Köln

    Germany

     

     

     

     

     

     

     

  • En torno a la acción. Arte de acción 1960-1990

    En torno a la acción. Arte de acción 1960-1990

    13.05.1999 – 11.07.1999

     

     

    En torno a la acción. Arte de acción 1960-1990

     

    Curador

    Rodrigo Alonso

     

     

    Arte de acción 1960-1990 fue una exposición curada por Rodrigo Alonso, que tuvo lugar en el año1999 en el Museo de Arte Moderno de Buenos Aires. Fue la primera retrospectiva sobre arte de acción y performance art argentina. La exhibición recorrió la historia del arte de acción (performances, happenings, intervenciones urbanas, etc.) en Argentina desde sus orígenes hasta ese momento a través de imágenes, objetos y documentos. Desde los tajos y agujeros de Lucio Fontana hasta un grupo de piezas creadas y/o recreadas especialmente para la ocasión, la muestra recorrió los momentos claves del accionismo en las artes visuales argentinas.

    La exposición se dividió en dos subsecciones: En torno a la acción registró el nacimiento y rápida expansión de estas manifestaciones durante las décadas de 1960 y 1970. Epígonos del arte de acción registró el resurgimiento de la acción tras el retorno de la democracia e investigó algunos puntos de contacto entre las nuevas generaciones y sus predecesoras.  [+]

     

    [+]

     

     

     

    Artistas:

     

    Marie Louise Alemann

    Ar Detroy

    Arte Destructivo

    Batato Barea

    Luis Fernando Benedit

    Remo Bianchedi

    Jorge Bonino

    Oscar Bony

    Rodolfo Bulacio

    Anahí Cáceres

    Delia Cancela

    Eduardo Costa

    Nicola Costantino

    Jaime Davidovich

    Marina De Caro

    Jorge De La Vega

    Raúl Escari

    León Ferrari

    Lucio Fontana

    Fernando García Delgado

    Nicolás García Uriburu

    Edgardo Giménez

    Carlos Ginzburg

    ​Alberto Greco

    Víctor Grippo

    Grupo Capataco

    Grupo Costuras Urbanas

    Grupo Escombros

    Alberto Heredia

    Narcisa Hirsch

    Roberto Jacoby

    Rodolfo Juárez

    La Negra

    La Organización Negra

    David Lamelas

    Julio Le Parc

    Sebastián Linero

    Lea Lublin

    Jorge Luján Gutiérrez

    Leopoldo Maler

    Liliana Maresca

    Vicente Marotta

    Graciela Martínez

    Oscar Masotta

    Walter Mejia

    Marcello Mercado

    ​Pablo Mesejean

    Marta Minujín

    Margarita Paksa

    Juan Paparella

    Ariadna Pastorini

    Hilda Paz

    Luis Pazos

    Federico Peralta Ramos

    Alfredo Portillos

    Alfredo Prior

    Héctor Puppo

    Dalila Puzzovio

    Juan Carlos Romero

    Eduardo Ruano

    Rubén Santantonin

    Juan Stoppani

    Pablo Suárez

    Tucumán Arde

    Edgardo Vigo

    Teresa Volco

    Luis Wells

    Horacio Zabala

     

     

     

     

    Museo de Arte Moderno de Buenos Aires

    Av. San Juan 350. San Telmo
    Buenos Aires

     

     

     

     

    Performance Argentina

    Coloracion_del_Gran_Canal_de_Venecia_196

     

     

     

     

     

     

     

     

  • XIVéme Festival International Vidéoformes 99

    XIVéme Festival International Vidéoformes 99

    10.03.1999 – 27.03.1999

     

     

     

    XIVéme Festival International Vidéoformes 99

     

     

    Clermont-Ferrand

    France

     

     

     

     

     

     

     

     

     

     

  • Berkeley Art Museum and Pacific Film Archive

    Berkeley Art Museum and Pacific Film Archive

     

    24.02.1999

     

     

     

     

     

    Experimentos Tropicais: Recent Video From Brazil

     

     

    Marcello Mercado: Argentinian Angst

    «Marcello Mercado, an intense artist from Cordoba, Argentina, takes history very personally. Unwilling to let the unresolved terrors of Argentina’s historical legacy go gently into the night, Mercado confronts them through his video art with fervor, commitment, and originality. The Torment Zone (La Region del Tormento) (1993, 8:40 mins, In Spanish with English subtitles) is an imaginary visit to a mental hospital where subjugation and enclosure echo other forms of tyranny. Mercado’s twisted drawings act as tour guides to bedlam. In The Edge of Rain (El Borde de la Illuvia) (1995, 42 mins, In English) the Dirty War is addressed obliquely: tales of distress-of vanished people, of stressed fetuses, of butchered cattle-are juxtaposed with images that acknowledge both beauty and disgust. Mercado’s newest work, The Warm Place (El Lugar Tibio) (1998, 36 mins, In English) turns the tyranny of history inward, describing the body’s betrayal as a response to political fragmentation and despair. Constructed in a computer using layers of moving images and precise graphical compositions, Mercado’s uncompromising work is driven by an urgency of vision that could only be called inspired. The imagistic allegory of a country’s amnesia evokes a psychopolitical space where revulsion and compassion vie for dominance. First Place Winner at the 12th Videobrasil.» Steve Seid

    Curated by Steve Seid

     

     

    (Total running time: 86 mins, Color, 3/4″ video, From the artist)

     

     

    BRAZZIL: Cinema Novo and Beyond

     

     

     

    Berkeley Art Museum and Pacific Film Archive
    2625 Durant Avenue #2250
    Berkeley, CA 94720-2250
    USA

  • Cronología de Performance Art Argentina

    Cronología de Performance Art Argentina

    12.12.1998

     

     

    Image: Architect Adrián Manavella

     

     

     

    Cronología de Performance Art Argentina

     

     

    Performances: Archivo 1998

     

     

     

     

     

     

     

    Logo_Texto_Argentina_Performance_Art_edi

     

     

     

     

     

     

     

  • 16th World Wide Video Festival

    16th World Wide Video Festival

     

    25.10.1998

     

     

     

    16th World Wide Video Festival

     

     

    Stedelijk Museum

    Museumplein 10
    1071 DJ Amsterdam

    The Netherlands

     

     

    Artists:
    A Tony Allard B Mark Bain & Mia Keinanmi, Phyllis Baldino, Breda Beban & Hrvoj Horvatic, David Blair (1), David Blair (2), Guillaume Boulanger, Slater Bradley C Steen Carlsen, Shu Lea Cheang, Shaoxiong Chen, Seoungho Cho, Guillermo Cifuentes, Vuk Cosic, Katharine Cullen, D Kristine Diekman, Gisela Domschke & Fabio Itapura F Merilyn Fairskye G Boris Gerrets & Anne Wellmer, GranularhSynthesis H Alexander Hahn & Niki Good, Gusztáv Hámos & Katja Pratschke, Rummana Hussain I Iatrou & Morgan, Takahiko Iimura J Adriene Jenik, jodi, Nigel Johnson, Art Jones K Gerald van der Kaap, Kai Kaljo, Istvan Kantor, William Kentridge, Felix Knoth, Ken Kobland, Jeroen Kooijmans, Shigeko Kubota, Ema Kugler, Yasuyuki Kurihara L Chip Lord, Lucky People Center (1), Lucky People Center (2) Nalini Malani (1), Nalini Malani (2), Arturo Marinho & Andrea Ostero, Bjørn Melhus, Marcello Mercado, Sabine Mooibroek, Jordi Moragues, Sükran Moral, Lars Movin, Carol Murphy N Carlos Nader, Nomad O Wendelien van Oldenborgh, Tommy Olsson, Ronald Ophuis, Tony Oursler, Constance DeJong & Stephen Vitiello P Maria Pask, Malcolm Payne (1), Malcolm Payne (2), Alix Pearlstein, Keith Piper, Philip J. Pocock, Florian Wenz, Udo Noll & Felix Huber S Manuel Saiz, Éder Santos, Viviane Sassen, Martin Sercombe, Sianed Jones & Cris Cheek, Sluik/Kurpershoek, Peter Stel, Ricardo Summers, Vivan Sundaram (1), Vivan Sundaram (2), Supreme Particles & From Scratch T Tomoko Take, Fiona Tan, Fiona Tan U Uri Urech V Steina Vasulka, Martijn Veldhoen, Bill Viola, Sandrine Vivier, Mascha de Vries W Magnus Wallin, Mark Wallinger, Christa Werner-Geiselhofer, Erik Wesselo, Paul Wong, Ersan Wu Z Liang Zhao, Jia Zhu

     

     

     

    catalogue cover