This record listens to the human genome — specifically, chromosome 17 — and translates it into sound.
Synthetic voices read fragments of genetic code, interlaced with algorithmic texts generated from the nucleotides themselves and from the “junk” residues that remain after their digital erosion.
Listening the Chromosome_17 and Other Lectures unfolds as a multilayered self-portrait made of data, distortion, and language collapse. The voice becomes both instrument and code, a hybrid presence between biology and computation.

Glitches, drones, and layers of experimental noise move through the work like electrical tissues, oscillating between order and disintegration. It’s not a composition in the traditional sense, but a process of listening to one’s own data — an anatomy of error, voice, and mutation.