Sounds
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Omnious, 2013
Omnious by Marcello Mercado Omnious Complete version on BANDCAMP Omnious (2013) unfolds across four tracks of glitch, drones, and ambient noise. The opening and closing pieces build tense electronic structures, while the two central tracks drift through spectral environments of suspended sound. released January 1,…
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The North (Radikaal 01), 2006
The North (Radikaal 01) by Marcello Mercado The North (Radikaal 01) Complete version on BANDCAMP Recorded in 2006, The North (Radikaal 01) is a work built from multiple layers of noise that never come close. Everything happens far away — as if the whole record were unfolding on…
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Gedesby, Denmark, 2005
Marcello Mercado Gedesby, Denmark Duration: 3´09″ 2005 Pheasants, pigeons, crows and plains.
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Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies,
„Synthetic genomic readings on breathing worms“ or “Making consistent volatile ideas by broadcasting bio-information through plants, DNA, worms and Radio Frequencies” Videoinstallation x 2 screens or 2 monitors Do not disturb signs x 2 Synthetic Genomic Readings on Breathing WormsorMaking Consistent Volatile Ideas by Broadcasting Bio-Information through Plants, DNA, Worms and Radio Frequencies…
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Kalt, nass, müde II, 2003
Marcello Mercado Kalt, nass, müde II, 2003 Driesenerstrasse, Berlin. Interventions with alarm-patterns and 1khz
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das Kapital – soundtracks
Das Kapital _soundtracks by Marcello Mercado das Kapital _soundtracks Complete version on BANDCAMP Das Kapital brings together four soundtracks produced between 1999 and 2010 for a video series that reinterprets Karl Marx’s Capital through sound, image, and machine processes. The recordings were made inside a television post-production control room, using microphones positioned near equipment racks,…
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Other trains, 2004
https://archive.org/details/Trains_729 Other trains, 2004 Auschwitz-Train-Station, 2004 field recording/ phonography
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DELETE – Sprache, 2013
Marcello Mercado (m)2 · DELETE Sprache01 DELETE Sprache, 2013 DELETE Sprache (2013) is a work situated at the threshold between language, voice, and symbolic collapse. The piece consists of the artist articulating an invented language—constructed through verbal excess, guttural sounds, and continuous vocal flow—performed…
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SUMMA / Notations, 2012
SUMMA / Notations (2012) is a work that operates at the intersection of sound, notation, and historical compression. Rather than composing music, the project proposes a system for processing musical heritage as residue: a form of sonic compost generated from the debris of canonical works…
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The chemical and physical perception in the eye of the cat, in the moment of the cut, 2005
https://archive.org/details/TheChemicalAndPhysicalPerceptionInTheEyeOfTheCatInTheMomentOf The chemical and physical perception in the eye of the cat, in the moment of the cut, 2005 electronic music, extreme noises, soundart, microsound, techno, noise, microsound, loop, industrial, game, experimental,
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How leopards caught leopards, 2014
marcellomercado · How leopards caught leopards How leopards caught leopards 20m 42″ 2014 Soundtrack for the videoart piece«How leopards caught leopards», 2004
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Bestiary for the minds of the 21st Century: Genomic Opera (short version) 20 minutes, 2016
Marcello Mercado (m)2 · Bestiary for the minds of the 21st Century: Genomic Opera (short version) Bestiary for the minds of the 21st Century: Genomic Opera (short version) 20 minutes, 2016