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Marcello Mercado – Portfolio

 

 

 

Marcello Mercado was born in Argentina in 1963 and works across numerous mediums. His interests lie in exploring the relationship between technology, cultural biology, and art, with a special focus on the interaction between digital and organic materials. Mercado has been recognized with several fellowships, including The John D. and Catherine T. MacArthur Foundation, The Rockefeller Foundation, The Lampadia Foundation, and Fundación Antorchas. He was also awarded the Grant for Media Art 2013 from the Foundation of Lower Saxony at the Edith-Russ-Haus for Media Art.

Mercado has participated in several notable exhibitions, including Kunsthistorisches Museum Wien, ZKM Karlsruhe, Museum Ludwig, Cologne; 51st Venice Biennale; Museo Nacional Reina Sofía; Kunsthaus Dresden; 11th Biennale de l ́Image en Mouvement, Genéve; The Taipei Fine Arts Museum; Berkeley Art Museum and II Biennial of Mercosul.

He has also been recognized with numerous prizes, including Honorary Mention Prix Ars Electronica Linz in Interactive Art, First Prize Videobrasil in 1998 and 2001, and Grand Prix de La Création Vidéo.

His artistic process is research as practice, where he engages with a culture of experimentation, and he is mainly associated with Post Internet, Process Art, Virtual Art, and Abstract Painting.

Mercado’s large-format drawings are a collaboration between him and small robots that create fine layers, linear figures, and a kinetic, electrified registrar that Mercado redraws and accentuates in a figurative manner. Marcello Mercado’s work exemplifies his commitment to experimentation and how exploring new mediums can expand our understanding of technology, culture, and art.

 

Biography extended version (+)

Filmography (+)

Lebenslauf (German) (+)

 

 

Marcello Mercado

BRK 6s7gz sghxgcgcw ehwgd

Artist´s book, 280 pages

2012 – 2023

 

 

 

 

 

 

 

 

 

Marcello Mercado

Licht Pentimento

Artist´s book, 98 pages

2004

 

 

 

 

 

 

Marcello Mercado

FHLR

42 pages, artist´s book

2010

 

 

 

 

 

 

 

 

Marcello Mercado, Object, wood, sawdust, straw and nails, 2022

 

 

 

 

 

Marcello Mercado,NN, collage, 3D printed objects on fabric, tryptich, 2016

 

 

Marcello Mercado, Van Gogh´s Variations, dried sunflowers wrapped in rope and tubes with sunflower DNA on copper box, 2014

 

 

Marcello Mercado, The next and the stranger, 2022

 

Marcello Mercado, The next and the stranger, 2022

 

 

 

Marcello Mercado

XIP

Artist´s book

2003, re-edited 2007

 

 

 

 

 

 

 

 

Marcello Mercado, Metakartierung, pencil on paper, Artist´s Book, 2012

 

 

 

Marcello Mercado, Van Gogh´s Variations, 7-channel video installation, 2014

 

 

 

Marcello Mercado, Van Gogh´s Variations, Compositions for motors and robots, notations, 2014 (+)

Marcello Mercado, Van Gogh´s Variations, Seven Sunflowers deleted, 2014 (+)

 

 

 

 

Marcello Mercado, Bestiary for the minds of the 21st Century: Genomic Opera, 2-channel video installation,  artist’s book, public audio interaction,sound installation, Angewandte Innovation Laboratory, Vienna, Austria, 2016

 

Marcello Mercado, pencil on paper, drawing, 2008

 

 

Löschen/ DELETE, Borrar, 2012 HD 1-channel videoinstallation, 10min 05sec stereo 16: 9 black / white, Special mention, Interactive art category, Ars electronica, Linz, 2012

 

 

 

 

 

Marcello Mercado, Untitled Field, oil on canvas, 283 cm x 162 cm, 111.4 in x 63.7 in, 2016

 

 

Marcello Mercado, Homeland light, oil, acrylic and pigment on canvas, 201 cm x 388 cm, 79.1 in x 152.7 in, 2011

 

 

Marcello Mercado, transferring, storing, sharing and hybriding: The perfect humus, Hybrid-DNA-Performance-Bio-installation, 16’23, 2010

 

 

 

Marcello Mercado, pencil on paper, Artist´s book, 2020

 

 

Marcello Mercado, pencil on paper, Artist´s book, 2020

 

 

 

Marcello Mercado, mixed media on canvas, 2014

 

 

 

Marcello Mercado

The journey with the Beagle

watercolor on paper

Artist´s Book, 24 pages

2010

 

 

 

 

 

 

 

Marcello Mercado, ink on paper, silicone with DNA and copper with coconut, drawing, 2006

 

 

 

 

Marcello Mercado, DELETE, installation, 2012

 

 

 

Marcello Mercado, Days of pandemic, origami made with paper printed with the genome of the corona virus, 2020

 

 

Marcello Mercado,Vilém Flusser und Marshall McLuhan /Fliegeralphabet, 2010, Zentrum für Kunst und Medien Technologie (ZKM) Karlsruhe, Germany

 

 

Marcello Mercado,3D printed plastic sculpture, 2014

 

 

Marcello Mercado,pincel on paper, drawing, Artist´s book, 2016

 

 

 

Marcello Mercado, Capital, 2- channel videoinstallation, 15min, stereo 16: 9 black / white and colour, 2015

 

 

 

 

Marcello Mercado

Doppelt (Double)

Photo book, 30 pages

2013

 

The photographic book is a visual exploration of the image through two distinct techniques: The use of long shots with bulb and softart.

 

 

 

 

 

 

 

 

 

Marcello Mercado, acrylic on canvas, 60cm x 80cm, 2022

 

 

 

Marcello Mercado, TOR, 3- channel videoinstallation, 8min, silent 16: 9 black / white, 2016

 

 

 

 

 

Marcello Mercado, Portfolio, Biography, 2024

 

Marcello Mercado

Born in Argentine in 1963. German citizen. He studied at the Academy of Media Arts Köln, Germany and at the National University of Córdoba, Argentina. He lives and works in Argentina and in Germany.

Marcello Mercado is a contemporary artist associated with Post Internet art- Process Art – Virtual Art – A.I. -Paintings – Drawings – Artist’s books – BioArt – New Media Art – Sound Art and Time Based Media

 

His artwork is research as practice. He explores the relationship between technology, biology and art, with special interest in the interaction between digital, virtual and organic materials. Mercado ́s artistic perspective uses unlike technologies like Data gathering with drones, topological-mappings, satellites; DNA extractions; Code language; 3D printing and Music notations written by robots.

 

Biological theories, mathematical principles, and technology are founding elements in his work. He straddles the boundaries between video art, performance, net.art, music, and painting. An amalgam of nuances from a world ruled by data overload.

 

 

Fellowships:
1996 at The John D. and Catherine T. MacArthur Foundation, The Rockefeller Foundation and The Lampadia Foundation;

1999 at The Academy of Media Arts Köln. Germany;
1993 at Fundación Antorchas. Buenos Aires Argentina and The John D. and Catherine T. MacArthur Foundation, The Rockefeller Foundation.
2014 Grant from the Digital Synesthesia Group, Department of Digital Art, University of Applied Arts, Vienna, Austria
2013 Grant for Media Art from the Foundation of Lower Saxony at the Edith-Russ- Haus for Media Art
2012 Honorary Mention, Prix Ars Electronica in Interactive Art;
2009 His work “Das Kapital” was selected in the exhibition “40 Years Videoart Germany” by Zentrum für Kunst und Medien Technologie. Karlsruhe. Germany;
 2005 Nominated at The 50 Best, International\Media\Art\Award 2004, by Zentrum für Kunst und Medien Technologie, ZKM
2001 La Biennale di Venezia, Special Projects: Bunker Poético, curated by
Marco Rotelli;
Premio Konex, Buenos Aires, Argentina
2000 Post-Production Residence in Centre International du Creation Vidéo Pierre Schaeffer Montbéliard Belfort France;
Wie mann sieht…Museum Ludwig, Cologne; curated by Siegfried Zielinski and Jürgen Klauke
The First Prize Videobrasil;
1999 Grand Prix de La Création Vidéo. Vidéoformes, Clermont-Ferrand. France;
 Wand5 – Stuttgart: Nominierungen Best Netart, 1999
1999-2001 Fellow at The Academy of Media Arts Köln. Germany;
1998 and 2001 The First Prize Videobrasil;
1997 Achievement Award. Melbourne International Film & Video Festival, Australia;

He participated in the Goethe Institutes Global Bodies, Global teleconference, 
Opening of Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany 1996 Fellow at The John D. and Catherine T. MacArthur Foundation, The Rockefeller Foundation and The Lampadia Foundation;

1995 Main Prize 22nd EKOTOPFILM’95. Bratislava. Slovak Republic;
Nominated for the best video of the year, Internationaler Videokunstpreis, Zentrum für Kunst und Medientechnologie 
ZKM, SWF, ORF, Karlsruhe, Germany
1994 The Main Prize Videofest Berlin

Grand Prix de Toutes Categories. 4a Mondial de la Video. Bruxelles, Belgium
 1993 Grant at Fundación Antorchas and The Rockefeller Foundation and The John D. and Catherine T. MacArthur Foundation

Mercado has participated in several art exhibitions, including Kunsthistorisches Museum Wien; Museum Museum Ludwig, Cologne; ZKM, Karlsruhe; Museo Nacional Reina Sofía, Madrid; Kunsthaus Dresden; 51st Venice Biennale; MAMBA, Buenos Aires; 11th Biennale de l ́Image en Mouvement, Ginebra; The Taipei Fine Arts Museum; Berkeley Art Museum; II Biennial of Mercosul; Itaú Cultural, São Paulo; New York Video Festival.Walter Reade Theater at Lincoln Center, etc

 

 

Exhibitions:

2022 Lo próximo y lo extraño – The next and the strange
curated by Celeste Massin, Solo Show
MUBA – Museo de Bellas Artes René Brusau, Resistencia, Chaco, Argentina

REVIRAVOLTA
Curated by Solange Farkas, Group Show, Galeria Homero Massena, ES, Brasil

2021 Marcello Mercado: Sense and Sensitivity I Galerie Bernet Bertram, Berlin, Germany

Confinamentos
Curated by Videobrasil, On-line /Group Show

2020/2021 Beethoven bewegt/ Beethoven moves,
curated by Andreas Kugler, Jasper Sharp, Stefan Weppelmann and Andreas Zimmermann
Kunsthistorisches Museum Vienna, Austria

2018 Join the Dots/Unire le distanze,
curated by Nicolas Vamvouklis, Luca Beatrice, Luciano Benetton, Salone degli Incanti, ex Pescheria Centrale, Trieste, Italy

2017 Potential Spaces. Staatliche Hochschule für Gestaltung Karlsruhe (HfG). Zentrum für Kunst und Medientechnologie (ZKM). Karlsruhe. Germany Bepi Crespan Presents, CiTR FM 101.9 Radio Vancouver, Vancouver

2016 In Medias Res, Bernet – Bertram Galerie, Berlin
Digital Synesthesia, Angewandte Innovation Lab (AIL) 
The University of Applied Arts Vienna 
Vienna, Austria
Digital Synesthesia, ISEA, Hong Kong
Bodenlos / Groundless, Vilém Flusser und die Künste, SESC Sao Paulo DOX Centre for Contemporary Art, Prag

2015 Bodenlos / Groundless, Vilém Flusser und die Künste, ZKM | Zentrum für Kunst und Medientechnologie; Akademie der Künste, Berlin
European Media Art Festival, EMAF, Osnabrück, Germany
Imago Mundi. Luciano Benetton Collection, M
 appa dell’arte nuova,
 Fondazione Giorgio Cini,
Venice, Italy

XWRA Video and Media Festival 2015, 
XWRA, Artland, 
Greece Bienal Internacional de Performance BP.15, Buenos Aires, Argentina roBOt Festival, Bologna, Italia

2014 BIO·FICTION Science Art Film Festival, Museum of Natural History, Vienna Grant from the Digital Synesthesia Group, Department of Digital Art, University of Applied Arts, Vienna, Austria
Poéticas de Archivo, Historias del video arte argentino, MACBA, Museo de Arte Contemporáneo de Buenos Aires
Kunstfrühling 2014, Bremen
Bepi Crespan Presents, CiTR FM 101.9 Radio Vancouver, Vancouver

2013 Grant for Media Art from the Foundation of Lower Saxony at the Edith-Russ- Haus for Media Art, Oldenburg, Germany

2012 Honorary Mention, Prix Ars Electronica in Interactive Art, Linz, Austria

2009 His work “Das Kapital” was selected in the exhibition “40 Years Videoart Germany” by Zentrum für Kunst und Medien Technologie. Karlsruhe, Germany, curated by Christopher Blase and Peter Weibel
Ludwig Forum für Internationale Kunst, Aachen, Germany;

Kunsthaus Dresden Städtische Galerie für Gegenwartskunst, Dresden, Germany;
Lennox Contemporary Gallery, Toronto, Canada

2007 El lienzo es la pantalla. Museo Nacional Centro de Arte Reina Sofía, Madrid, curated by Berta Sichel

2006 Georges Abstraction. Centre Pompidou. Paris. France, curated by Bureau des Videos

2005 Biennial of Moving Images (BIM), Genéve, Switzerland
2004 New York Video Festival. Film Society of Lincoln Center, New York, USA 2003 Taipei Fine Arts Museum, Taipei, Taiwan curated by Andreas Walther 2002 Radiotopia, OE1 Kunstradio, Ars Electronica, Linz, Austria

2001 La Biennale di Venezia, Special Projects: Bunker Poético, curated by Marco Rotelli

Post-Production Residence in Centre International du Creation Vidéo Pierre Schaeffer Montbéliard Belfort France;
Wie mann sieht…Museum Ludwig, Cologne; curated by Siegfried Zielinski and Jürgen Klauke

The First Prize Videobrasil; GND_Earth Gallery, Berlin, Germany

2000 Tent Gallery, Rotterdam, The Netherlands
Chicago Filmmakers, Chicago, USA
Biennial Interferences, Centre de Video Creation Pierre Schaeffer, France Art Biennial Buenos Aires Argentina, Argentina

1999 Grand Prix de La Création Vidéo. Vidéoformes, Clermont-Ferrand. France;

1999-2001 Fellow at The Academy of Media Arts Köln. Germany;

1998 and 2001 The First Prize Videobrasil;

1997 Achievement Award. Melbourne International Film & Video Festival, Australial;

1996 Fellow at The John D. and Catherine T. MacArthur Foundation, The Rockefeller Foundation and The Lampadia Foundation;

1995 Main Prize 22nd EKOTOPFILM’95. Bratislava. Slovak Republic; Leeds International Film Festival, UK

1994 The Main Prize Videofest Berlin
Grand Prix de Toutes Categories. 4a Mondial de la Video. Bruxelles, Belgium

1993 Grant at Fundación Antorchas and The Rockefeller Foundation and The John D. and Catherine T. MacArthur Foundation,