These paintings capture the moment when an image begins to appear and disappear simultaneously. Created through accumulation, abrasion, chromatic pressure, and sedimentation, they do not take on stable shapes or form complete compositions. Rather, they emerge from fragments, traces, residues, and partially erased images: the remains of bodies, obsolete media, damaged surfaces, and uncertain memories.

The paintings inhabit an unstable zone between archive, remainder, and appearance. The important thing is not the image itself, but its instability—the moment when it can no longer be fully recognized, yet has not completely vanished.