These paintings capture the threshold where an image emerges and dissolves at once.

Built through layers of accumulation, scraping, chromatic pressure, and sedimentation, the works resist stable forms and complete compositions. Instead, they surface from material residues: body fragments, obsolete media, worn surfaces, and uncertain memories.

Positioned between archive, trace, and appearance, the work moves away from the image itself to focus on its volatility—that precise moment when a form can no longer be fully recognized, yet hasn’t entirely disappeared.