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16.07.1999

 

 

 

CRITIC’S NOTEBOOK; A Thematic Feast of Avant-Garde Videos

 

 

(Page 5 of 5)

 

‘THE EMPEROR JONES» (United States), by Chris Kondek. A screening of a documentary about the Wooster Group production of the Eugene O’Neill work, followed by a panel discussion with Elizabeth LeCompte, director of the Wooster Group production; Mr. Kondek; Kate Valk, an actress in the video, and David Sterritt, a film critic, 9 P.M.

 

 

Tomorrow

 

»FAMILY MATTERS,» with »Spank» (United States, 1998), by Diane Nerwen; »My Parents Read Dreams I’ve Had About Them» (United States, 1998), by Neil Goldberg; »No Concept But Good Sense» (United States, 1998), by Pilar Wiley; »2 into 1» (Britain, 1997), by Gillian Wearing; »Generation Loss» (United States), by Sean Bokenkamp; »A Part of Me» (Britain, 1998), by Carl Callam; »Shifting Positions» (United States), by Kathy High, 1 P.M.

 

»THEY DON’T MAKE ‘EM LIKE THEY USED TO,» with »Mark Roth» and »Marbles» (both United States), by Animal Charm; »All Smiles and Sadness» (United States), by Anne McGuire; »2 Spellbound» (United States), by Les Leveque; »Ode» (United States), by Kelly Reichardt, 3:30 P.M.

 

 

»ONLY HUMAN,» with »Rabbit, Rabbit, Rabbit» (United States), by Stuart Hawkins; »Bird Watching» (United States, 1998), by David Kareken; »Spiritual Animal Kingdom» (Canada, 1998), by Steve Reinke; »Ape—-» (United States), by Leah Gilliam; »Zoo: A Melancholy Bestiary» (United States, 1998), by Don Bernier, 5:45 P.M.

 

»AFTER IMAGES,» with »Wonder Spider» (United States, 1998), by Pan Optic; »Eklipsis» (United States, 1998), by Tran T. Kim-Trang; »F for Fake: The Black Hole Sun» (Italy, 1997), by Cane Capo Volto; »Dead Weight of a Quarrel Hangs» (United States, 1998), by Walid Raad; »The Warm Place» (Argentina, 1998), by Marcello Mercado, 10:15 P.M.

 

 

Sunday

 

»CONFESSION,» (Russia, 1998), a four-and-a-half-hour documentary by Aleksandr Sokurov inspired by the diary of a submarine captain, 1 P.M. In Russian with English subtitles.

 

»FAMILY MATTERS,» 6 P.M.

 

»AFTER IMAGES,» 8:15 P.M.

 

 

 

Monday

 

»OUTER AND INNER SPACE,» 4 P.M.

»THEY DON’T MAKE ‘EM LIKE THEY USED TO,» 6:15 P.M.

»DO ALL MUSIC VIDEOS GO TO HEAVEN?» (United States), a music video by Armond White, 8:30 P.M.

Tuesday

»GHOSTS IN THE MACHINE,» with »Moby Richard» (United States), by Emily Breer; »Negative Space» and »The Falconer» (both Britain, 1998), by Chris Petit, 4 P.M.

»WORKING FOR THE MAN,» with »Locked Groove» (Germany, 1997), by Caspar Stracke; »The Target Shoots First» (United States), by Christopher Wilcha, 6:15 P.M.

»ONLY HUMAN,» 8:30 P.M.

 

 

Wednesday

 

»MIND THE GAP,» with »Things to Remember About Daumier» (United States), by Matthew Konicek; »Ship of Fools» (United States, 1998), by Tony Allard; »Erratic Angel» (Canada, 1998), by Donigan Cumming, 8:30 P.M.

»GHOSTS IN THE MACHINE,» 6:15 P.M.

 

 

Thursday

»MIND THE GAP,» 6 P.M.

»LOVE DIAMOND,» performance piece by Miranda July; music by Zac Love, 9 P.M.

 

 

 

 

 

 

 

 

Film nº 17, diciembre de 1995-enero de 1996

30.12.1995

 

 

 

Film nº 17

 

 

Film nº 17, diciembre de 1995-enero de 1996

Malón. Nueva sección con material diverso sobre música y cine, últimos estrenos, láser discs, films en video que no pasan por el cine, clásicos, libros y exceso de equipaje, p. 6.

Casino. Antes del estreno argentino, Alvaro Buela vio el último film de Martin Scorsese en el Festival de Londres, p. 16.

Alain Robbe-Grillet. Entrevista exclusiva con el creador del Nouveau Román, guionista de El año pasado en Marienbad y realizador de algunos de los films más extraños de la historia del cine, p. 20.

Cine argentino ’95. En esta segunda y última aproximación a la producción nacional del año, Sergio Wolf repasa los estrenos y anuncia films en camino, p. 24.

Dossier James Bond. Todos los films y toda la historia del personaje de lan Fleming para demostrar por qué Golden Eye no es un film de Bond aunque así lo parezca. Christian Kupchik hace las presentaciones, Diego Curubeto rastrea imitadores y acuña el curioso término “Spaghetti-Bond”, Fabio Blanco rescata la delirante Casino Royale y Sergio Wolf discute la posible relación de Bond con Intriga internacional, de Hitchcock, p. 30.

Marcello Mercado. De creador a creador, charla con uno de los realizadores más fascinantes del video argentino contemporáneo. Por Pablo Rodríguez Jáuregui, p. 50.
Video x 3. Demasiados festivales de video para una revista bimestral Rosario ’95. Francolatino y Festival de Escuelas de Cine, reseñados por Fernando Martín Peña, Mariela Gargano y Luciano Monteagudo respectivamente, p. 54.

Massimo Troisi. La obra del notable comediante napolitano, evocada con descubierto fanatismo por Patricio Narodowskj Una entrevista complementaria con Michael Radford y Antonio Skármeta sobre El cartero por Paraná Sendrós, p. 58.

Clásicos nativos. Raúl Manrupe apunta las sorprendentes ambigüedades de El Retrato, de Carlos Schlieper, y Vidalita, de Saslavsky, p. 62.